Understanding Pixel Dimensions Ratio Calculation Techniques

Understanding Pixel Dimensions Ratio Calculation Techniques

Charlotte Lv12

Understanding Pixel Dimensions: Ratio Calculation Techniques

How to Calculate Pixel Calculator Ratio

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Size, formats, and resolution… What are pixels exactly doing with it?

pixel

So let’s review some basics on pixel calculator ratio to create an easy life, your workflow more productive, and your photos of the ideal size for the intended purpose.

In this article

01 [What is Pixel Aspect Ratio?](#Part 1)

02 [How is Pixel Ratio Calculated?](#Part 2)

03 [Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?](#Part 3)

04 [Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio](#Part 4)

05 [How Aspect Ratios Affect UI/UX Design?](#Part 5)

Part 1 What is Pixel Aspect Ratio?

A digital image is not a single non-dividable thing. You’ll see that your photo is like a mosaic formed by small tiles if you zoom in far enough, which are known as pixels in photography.

The amount of these pixels and the way they are divided are the two elements that you’re required to take into account to know more about the resolution and pixel calculator ratio.

The Pixel Aspect Ratio is simply the latest way of defining the length of one side of a pixel in context to the length of the other.

Let’s say the ratio is 1:1; each side of the pixel is the same length as the other, also known as a square in pixels.

If the ratio is 2:1, it means that one side is twice the length of the other.

NOTE: The ‘Aspect Ratio’ does not define the actual or exact length of the side of a pixel is, just its “relative” size of one side to the other. The actual length will depend on how much you shrink or stretch a photo when recreating it. But if the Pixel Calculator Ratio is 1:1, then the pixels will always be square irrespective of the size of that particular photo.

pixel aspect ratio

Part 2 How is Pixel Ratio Calculated?

You can use a pixel ratio calculator to calculate the pixels within a screen. So, we’d like to suggest a calculator by xwebtools.com.

Here, you can see tabs, namely the Common Ratios Ratio Width, Ratio Height, Pixels Width, and Pixels Height.

xwebtools pixel ratio calculator

How it works:

This pixel ratio calculator converts pixel dimensions to aspect ratios. It is an online free tool that assists you in calculating the aspect ratio value of an object or a photo.

The conversion can be carried in both ways, aspect ratio to pixels and pixels to aspect ratio. This screen resolution calculator offers a powerful and simple tool that can convert the ratio of images to pixels resolution and pixels to ratio dimensions.

You need to provide Pixels Width and Pixels Height to calculate the aspect ratio; the aspect ratio will be automatically calculated.

You need to provide Ratio Height and Ratio Width to calculate pixel resolutions. Both the Pixels Width and Height will get automatically calculated.

Part 3 What is Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?

Pixel ratio: Adobe Premiere Pro

As we already discussed, an aspect ratio defines width to height. The still picture and video frames have a frame aspect ratio. The pixels that create the frame have a pixel aspect ratio (sometimes called PAR).

Different video recording standards have different aspect ratios. For instance, you record video for television in either a 16:9 or a 4:3 frame aspect ratio.

You set the frame and pixel aspect when you create a project in Adobe Premiere Pro. Once you set these ratios, you can’t change them for that project. However, you can edit the aspect ratio of a sequence. You can also use assets made with different aspect ratios in the project.

Premiere Pro automatically compensates for the pixel aspect ratio of source files.

If an asset still feels distorted, you can manually mention its pixel aspect ratio. But that isn’t very clear, especially for a beginner. This is why we recommend doing the following.

Pixel ratio: Wondershare Filmora

You need a converter or a video editor to change the aspect ratio permanently. Here we humbly recommend an excellent aspect ratio changer - Wondershare Filmora video editor, which helps you make 4:3, 9:16, 16:9, and 1:1 aspect ratio videos pretty quickly.

Wondershare Filmora

Get started easily with Filmora’s powerful performance, intuitive interface, and countless effects!

Try It Free Try It Free Try It Free Learn More >

filmora-video-editor

Furthermore, you can conveniently share these videos on YouTube, Apple TV, Vimeo, and mobile devices.

Transform aspect ratio at the beginning interface

Wondershare Filmora Video Editor helps you change the project aspect ratio right after launching the video editor program.

If you click the drop-down menu, you will see the usual 16:9, 1:1, 9:16, 4:3, and 21:9 aspect ratios.

change aspect ratio filmora

Unlike Adobe Premiere Pro, Wondershare Filmora offers you four more ways of setting aspect ratios efficiently.

Method 2: You can change the aspect ratio under Project Settings

project settings filmora

Method 3: Change the aspect ratio of video with Auto-Reframe

auto reframe filmora

Method 4: Change aspect ratio during Editing

editing filmora

Method 5: Change aspect ratio while Exporting

exporting filmora

Thus, using the Wondershare Filmora along with the pixel ratio calculator makes a difference!

Part 4 Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio

Although the image aspect ratio comes from its width and height, it also contains multiple subsets that help to define image proportions properly.

1 - Pixel aspect ratio

Pixel aspect ratio (PAR) is the proportion of the specific pixels within an image. They are generally square within the pixel aspect ratio of 1:1.

But sometimes, specific images are optimized for certain types of displays. And, they have rectangular pixels with an aspect ratio of 4:3 or similar.

2 - Display aspect ratio

The display aspect ratio (DAR) is the designers’ most frequent aspect ratio and gets generally synced with the general term.

As the name suggests, the display aspect ratio refers to the proportions of an image as it appears on different screens out there.

Some devices, such as televisions and cameras, have a fixed DAR for images to display nicely on these devices.

They need optimization for their specific or respective aspect ratio. For instance, a typical display aspect ratio for the widescreen video on a television screen or monitor screen is 16:9.

They appear distorted when images with different aspect ratios are presented on these devices. Digital SLR camera sensors also consist of a fixed display aspect ratio, which controls how pictures captured by the camera will be displayed and saved.

3 - Storage aspect ratio

Storage aspect ratio, commonly known as (SAR) is an aspect ratio formula that concerns specifically to encoded digital video files. SAR refers to the height and the width relationship in video frame size, and it is required to be consistent among all individual frames.

SAR x PAR = DAR for max widescreen videos in a usual used formula.

Part 1 Part 5: How Aspect Ratios Affect UI/UX Design?

Aspect ratios play a vital part in any project that consists of displaying and capturing photographs, videos, or other image-based files in an ideal manner. The camera’s fixed aspect ratio can considerably impact, especially for photographers.

And for videographers or anyone working with slideshows, animations, and other motion projects, the aspect ratio is a prominent element for correct display on mobile devices and widescreen.

But even in the environment of responsive web design, problems can arise, such as when an image is not adjustable for display without compromising its quality or content.

A small example is when you need a square image with a 1:1 aspect ratio to insert into a rectangular box on a web page. To accommodate varying image size requirements, proportions and size may need adjustment.

In an increasingly picture-driven digital world, videos and images that look even slightly out of the way add to a visitor’s negative impression of a site. Besides those forced into the wrong configurations can even interfere with a site’s usability.

Poorly proportioned user guide or product images video that’s too stretched to check clearly can affect both a visitor’s want and their ability to use the site. Developers, designers, and anyone working with images will need to know how aspect ratios work and manipulate them for the best visual effect.

Various pixel calculator ratios, both paid and free, have popped up on the web to streamline the process.

Key Takeaways from This Episode

An overview of pixels

Understanding the importance of pixel ratio calculators

Different pixel ratios and their impact on UI/UX design

Try It Free Try It Free

Size, formats, and resolution… What are pixels exactly doing with it?

pixel

So let’s review some basics on pixel calculator ratio to create an easy life, your workflow more productive, and your photos of the ideal size for the intended purpose.

In this article

01 [What is Pixel Aspect Ratio?](#Part 1)

02 [How is Pixel Ratio Calculated?](#Part 2)

03 [Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?](#Part 3)

04 [Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio](#Part 4)

05 [How Aspect Ratios Affect UI/UX Design?](#Part 5)

Part 1 What is Pixel Aspect Ratio?

A digital image is not a single non-dividable thing. You’ll see that your photo is like a mosaic formed by small tiles if you zoom in far enough, which are known as pixels in photography.

The amount of these pixels and the way they are divided are the two elements that you’re required to take into account to know more about the resolution and pixel calculator ratio.

The Pixel Aspect Ratio is simply the latest way of defining the length of one side of a pixel in context to the length of the other.

Let’s say the ratio is 1:1; each side of the pixel is the same length as the other, also known as a square in pixels.

If the ratio is 2:1, it means that one side is twice the length of the other.

NOTE: The ‘Aspect Ratio’ does not define the actual or exact length of the side of a pixel is, just its “relative” size of one side to the other. The actual length will depend on how much you shrink or stretch a photo when recreating it. But if the Pixel Calculator Ratio is 1:1, then the pixels will always be square irrespective of the size of that particular photo.

pixel aspect ratio

Part 2 How is Pixel Ratio Calculated?

You can use a pixel ratio calculator to calculate the pixels within a screen. So, we’d like to suggest a calculator by xwebtools.com.

Here, you can see tabs, namely the Common Ratios Ratio Width, Ratio Height, Pixels Width, and Pixels Height.

xwebtools pixel ratio calculator

How it works:

This pixel ratio calculator converts pixel dimensions to aspect ratios. It is an online free tool that assists you in calculating the aspect ratio value of an object or a photo.

The conversion can be carried in both ways, aspect ratio to pixels and pixels to aspect ratio. This screen resolution calculator offers a powerful and simple tool that can convert the ratio of images to pixels resolution and pixels to ratio dimensions.

You need to provide Pixels Width and Pixels Height to calculate the aspect ratio; the aspect ratio will be automatically calculated.

You need to provide Ratio Height and Ratio Width to calculate pixel resolutions. Both the Pixels Width and Height will get automatically calculated.

Part 3 What is Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?

Pixel ratio: Adobe Premiere Pro

As we already discussed, an aspect ratio defines width to height. The still picture and video frames have a frame aspect ratio. The pixels that create the frame have a pixel aspect ratio (sometimes called PAR).

Different video recording standards have different aspect ratios. For instance, you record video for television in either a 16:9 or a 4:3 frame aspect ratio.

You set the frame and pixel aspect when you create a project in Adobe Premiere Pro. Once you set these ratios, you can’t change them for that project. However, you can edit the aspect ratio of a sequence. You can also use assets made with different aspect ratios in the project.

Premiere Pro automatically compensates for the pixel aspect ratio of source files.

If an asset still feels distorted, you can manually mention its pixel aspect ratio. But that isn’t very clear, especially for a beginner. This is why we recommend doing the following.

Pixel ratio: Wondershare Filmora

You need a converter or a video editor to change the aspect ratio permanently. Here we humbly recommend an excellent aspect ratio changer - Wondershare Filmora video editor, which helps you make 4:3, 9:16, 16:9, and 1:1 aspect ratio videos pretty quickly.

Wondershare Filmora

Get started easily with Filmora’s powerful performance, intuitive interface, and countless effects!

Try It Free Try It Free Try It Free Learn More >

filmora-video-editor

Furthermore, you can conveniently share these videos on YouTube, Apple TV, Vimeo, and mobile devices.

Transform aspect ratio at the beginning interface

Wondershare Filmora Video Editor helps you change the project aspect ratio right after launching the video editor program.

If you click the drop-down menu, you will see the usual 16:9, 1:1, 9:16, 4:3, and 21:9 aspect ratios.

change aspect ratio filmora

Unlike Adobe Premiere Pro, Wondershare Filmora offers you four more ways of setting aspect ratios efficiently.

Method 2: You can change the aspect ratio under Project Settings

project settings filmora

Method 3: Change the aspect ratio of video with Auto-Reframe

auto reframe filmora

Method 4: Change aspect ratio during Editing

editing filmora

Method 5: Change aspect ratio while Exporting

exporting filmora

Thus, using the Wondershare Filmora along with the pixel ratio calculator makes a difference!

Part 4 Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio

Although the image aspect ratio comes from its width and height, it also contains multiple subsets that help to define image proportions properly.

1 - Pixel aspect ratio

Pixel aspect ratio (PAR) is the proportion of the specific pixels within an image. They are generally square within the pixel aspect ratio of 1:1.

But sometimes, specific images are optimized for certain types of displays. And, they have rectangular pixels with an aspect ratio of 4:3 or similar.

2 - Display aspect ratio

The display aspect ratio (DAR) is the designers’ most frequent aspect ratio and gets generally synced with the general term.

As the name suggests, the display aspect ratio refers to the proportions of an image as it appears on different screens out there.

Some devices, such as televisions and cameras, have a fixed DAR for images to display nicely on these devices.

They need optimization for their specific or respective aspect ratio. For instance, a typical display aspect ratio for the widescreen video on a television screen or monitor screen is 16:9.

They appear distorted when images with different aspect ratios are presented on these devices. Digital SLR camera sensors also consist of a fixed display aspect ratio, which controls how pictures captured by the camera will be displayed and saved.

3 - Storage aspect ratio

Storage aspect ratio, commonly known as (SAR) is an aspect ratio formula that concerns specifically to encoded digital video files. SAR refers to the height and the width relationship in video frame size, and it is required to be consistent among all individual frames.

SAR x PAR = DAR for max widescreen videos in a usual used formula.

Part 1 Part 5: How Aspect Ratios Affect UI/UX Design?

Aspect ratios play a vital part in any project that consists of displaying and capturing photographs, videos, or other image-based files in an ideal manner. The camera’s fixed aspect ratio can considerably impact, especially for photographers.

And for videographers or anyone working with slideshows, animations, and other motion projects, the aspect ratio is a prominent element for correct display on mobile devices and widescreen.

But even in the environment of responsive web design, problems can arise, such as when an image is not adjustable for display without compromising its quality or content.

A small example is when you need a square image with a 1:1 aspect ratio to insert into a rectangular box on a web page. To accommodate varying image size requirements, proportions and size may need adjustment.

In an increasingly picture-driven digital world, videos and images that look even slightly out of the way add to a visitor’s negative impression of a site. Besides those forced into the wrong configurations can even interfere with a site’s usability.

Poorly proportioned user guide or product images video that’s too stretched to check clearly can affect both a visitor’s want and their ability to use the site. Developers, designers, and anyone working with images will need to know how aspect ratios work and manipulate them for the best visual effect.

Various pixel calculator ratios, both paid and free, have popped up on the web to streamline the process.

Key Takeaways from This Episode

An overview of pixels

Understanding the importance of pixel ratio calculators

Different pixel ratios and their impact on UI/UX design

Try It Free Try It Free

Size, formats, and resolution… What are pixels exactly doing with it?

pixel

So let’s review some basics on pixel calculator ratio to create an easy life, your workflow more productive, and your photos of the ideal size for the intended purpose.

In this article

01 [What is Pixel Aspect Ratio?](#Part 1)

02 [How is Pixel Ratio Calculated?](#Part 2)

03 [Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?](#Part 3)

04 [Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio](#Part 4)

05 [How Aspect Ratios Affect UI/UX Design?](#Part 5)

Part 1 What is Pixel Aspect Ratio?

A digital image is not a single non-dividable thing. You’ll see that your photo is like a mosaic formed by small tiles if you zoom in far enough, which are known as pixels in photography.

The amount of these pixels and the way they are divided are the two elements that you’re required to take into account to know more about the resolution and pixel calculator ratio.

The Pixel Aspect Ratio is simply the latest way of defining the length of one side of a pixel in context to the length of the other.

Let’s say the ratio is 1:1; each side of the pixel is the same length as the other, also known as a square in pixels.

If the ratio is 2:1, it means that one side is twice the length of the other.

NOTE: The ‘Aspect Ratio’ does not define the actual or exact length of the side of a pixel is, just its “relative” size of one side to the other. The actual length will depend on how much you shrink or stretch a photo when recreating it. But if the Pixel Calculator Ratio is 1:1, then the pixels will always be square irrespective of the size of that particular photo.

pixel aspect ratio

Part 2 How is Pixel Ratio Calculated?

You can use a pixel ratio calculator to calculate the pixels within a screen. So, we’d like to suggest a calculator by xwebtools.com.

Here, you can see tabs, namely the Common Ratios Ratio Width, Ratio Height, Pixels Width, and Pixels Height.

xwebtools pixel ratio calculator

How it works:

This pixel ratio calculator converts pixel dimensions to aspect ratios. It is an online free tool that assists you in calculating the aspect ratio value of an object or a photo.

The conversion can be carried in both ways, aspect ratio to pixels and pixels to aspect ratio. This screen resolution calculator offers a powerful and simple tool that can convert the ratio of images to pixels resolution and pixels to ratio dimensions.

You need to provide Pixels Width and Pixels Height to calculate the aspect ratio; the aspect ratio will be automatically calculated.

You need to provide Ratio Height and Ratio Width to calculate pixel resolutions. Both the Pixels Width and Height will get automatically calculated.

Part 3 What is Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?

Pixel ratio: Adobe Premiere Pro

As we already discussed, an aspect ratio defines width to height. The still picture and video frames have a frame aspect ratio. The pixels that create the frame have a pixel aspect ratio (sometimes called PAR).

Different video recording standards have different aspect ratios. For instance, you record video for television in either a 16:9 or a 4:3 frame aspect ratio.

You set the frame and pixel aspect when you create a project in Adobe Premiere Pro. Once you set these ratios, you can’t change them for that project. However, you can edit the aspect ratio of a sequence. You can also use assets made with different aspect ratios in the project.

Premiere Pro automatically compensates for the pixel aspect ratio of source files.

If an asset still feels distorted, you can manually mention its pixel aspect ratio. But that isn’t very clear, especially for a beginner. This is why we recommend doing the following.

Pixel ratio: Wondershare Filmora

You need a converter or a video editor to change the aspect ratio permanently. Here we humbly recommend an excellent aspect ratio changer - Wondershare Filmora video editor, which helps you make 4:3, 9:16, 16:9, and 1:1 aspect ratio videos pretty quickly.

Wondershare Filmora

Get started easily with Filmora’s powerful performance, intuitive interface, and countless effects!

Try It Free Try It Free Try It Free Learn More >

filmora-video-editor

Furthermore, you can conveniently share these videos on YouTube, Apple TV, Vimeo, and mobile devices.

Transform aspect ratio at the beginning interface

Wondershare Filmora Video Editor helps you change the project aspect ratio right after launching the video editor program.

If you click the drop-down menu, you will see the usual 16:9, 1:1, 9:16, 4:3, and 21:9 aspect ratios.

change aspect ratio filmora

Unlike Adobe Premiere Pro, Wondershare Filmora offers you four more ways of setting aspect ratios efficiently.

Method 2: You can change the aspect ratio under Project Settings

project settings filmora

Method 3: Change the aspect ratio of video with Auto-Reframe

auto reframe filmora

Method 4: Change aspect ratio during Editing

editing filmora

Method 5: Change aspect ratio while Exporting

exporting filmora

Thus, using the Wondershare Filmora along with the pixel ratio calculator makes a difference!

Part 4 Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio

Although the image aspect ratio comes from its width and height, it also contains multiple subsets that help to define image proportions properly.

1 - Pixel aspect ratio

Pixel aspect ratio (PAR) is the proportion of the specific pixels within an image. They are generally square within the pixel aspect ratio of 1:1.

But sometimes, specific images are optimized for certain types of displays. And, they have rectangular pixels with an aspect ratio of 4:3 or similar.

2 - Display aspect ratio

The display aspect ratio (DAR) is the designers’ most frequent aspect ratio and gets generally synced with the general term.

As the name suggests, the display aspect ratio refers to the proportions of an image as it appears on different screens out there.

Some devices, such as televisions and cameras, have a fixed DAR for images to display nicely on these devices.

They need optimization for their specific or respective aspect ratio. For instance, a typical display aspect ratio for the widescreen video on a television screen or monitor screen is 16:9.

They appear distorted when images with different aspect ratios are presented on these devices. Digital SLR camera sensors also consist of a fixed display aspect ratio, which controls how pictures captured by the camera will be displayed and saved.

3 - Storage aspect ratio

Storage aspect ratio, commonly known as (SAR) is an aspect ratio formula that concerns specifically to encoded digital video files. SAR refers to the height and the width relationship in video frame size, and it is required to be consistent among all individual frames.

SAR x PAR = DAR for max widescreen videos in a usual used formula.

Part 1 Part 5: How Aspect Ratios Affect UI/UX Design?

Aspect ratios play a vital part in any project that consists of displaying and capturing photographs, videos, or other image-based files in an ideal manner. The camera’s fixed aspect ratio can considerably impact, especially for photographers.

And for videographers or anyone working with slideshows, animations, and other motion projects, the aspect ratio is a prominent element for correct display on mobile devices and widescreen.

But even in the environment of responsive web design, problems can arise, such as when an image is not adjustable for display without compromising its quality or content.

A small example is when you need a square image with a 1:1 aspect ratio to insert into a rectangular box on a web page. To accommodate varying image size requirements, proportions and size may need adjustment.

In an increasingly picture-driven digital world, videos and images that look even slightly out of the way add to a visitor’s negative impression of a site. Besides those forced into the wrong configurations can even interfere with a site’s usability.

Poorly proportioned user guide or product images video that’s too stretched to check clearly can affect both a visitor’s want and their ability to use the site. Developers, designers, and anyone working with images will need to know how aspect ratios work and manipulate them for the best visual effect.

Various pixel calculator ratios, both paid and free, have popped up on the web to streamline the process.

Key Takeaways from This Episode

An overview of pixels

Understanding the importance of pixel ratio calculators

Different pixel ratios and their impact on UI/UX design

Try It Free Try It Free

Size, formats, and resolution… What are pixels exactly doing with it?

pixel

So let’s review some basics on pixel calculator ratio to create an easy life, your workflow more productive, and your photos of the ideal size for the intended purpose.

In this article

01 [What is Pixel Aspect Ratio?](#Part 1)

02 [How is Pixel Ratio Calculated?](#Part 2)

03 [Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?](#Part 3)

04 [Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio](#Part 4)

05 [How Aspect Ratios Affect UI/UX Design?](#Part 5)

Part 1 What is Pixel Aspect Ratio?

A digital image is not a single non-dividable thing. You’ll see that your photo is like a mosaic formed by small tiles if you zoom in far enough, which are known as pixels in photography.

The amount of these pixels and the way they are divided are the two elements that you’re required to take into account to know more about the resolution and pixel calculator ratio.

The Pixel Aspect Ratio is simply the latest way of defining the length of one side of a pixel in context to the length of the other.

Let’s say the ratio is 1:1; each side of the pixel is the same length as the other, also known as a square in pixels.

If the ratio is 2:1, it means that one side is twice the length of the other.

NOTE: The ‘Aspect Ratio’ does not define the actual or exact length of the side of a pixel is, just its “relative” size of one side to the other. The actual length will depend on how much you shrink or stretch a photo when recreating it. But if the Pixel Calculator Ratio is 1:1, then the pixels will always be square irrespective of the size of that particular photo.

pixel aspect ratio

Part 2 How is Pixel Ratio Calculated?

You can use a pixel ratio calculator to calculate the pixels within a screen. So, we’d like to suggest a calculator by xwebtools.com.

Here, you can see tabs, namely the Common Ratios Ratio Width, Ratio Height, Pixels Width, and Pixels Height.

xwebtools pixel ratio calculator

How it works:

This pixel ratio calculator converts pixel dimensions to aspect ratios. It is an online free tool that assists you in calculating the aspect ratio value of an object or a photo.

The conversion can be carried in both ways, aspect ratio to pixels and pixels to aspect ratio. This screen resolution calculator offers a powerful and simple tool that can convert the ratio of images to pixels resolution and pixels to ratio dimensions.

You need to provide Pixels Width and Pixels Height to calculate the aspect ratio; the aspect ratio will be automatically calculated.

You need to provide Ratio Height and Ratio Width to calculate pixel resolutions. Both the Pixels Width and Height will get automatically calculated.

Part 3 What is Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?

Pixel ratio: Adobe Premiere Pro

As we already discussed, an aspect ratio defines width to height. The still picture and video frames have a frame aspect ratio. The pixels that create the frame have a pixel aspect ratio (sometimes called PAR).

Different video recording standards have different aspect ratios. For instance, you record video for television in either a 16:9 or a 4:3 frame aspect ratio.

You set the frame and pixel aspect when you create a project in Adobe Premiere Pro. Once you set these ratios, you can’t change them for that project. However, you can edit the aspect ratio of a sequence. You can also use assets made with different aspect ratios in the project.

Premiere Pro automatically compensates for the pixel aspect ratio of source files.

If an asset still feels distorted, you can manually mention its pixel aspect ratio. But that isn’t very clear, especially for a beginner. This is why we recommend doing the following.

Pixel ratio: Wondershare Filmora

You need a converter or a video editor to change the aspect ratio permanently. Here we humbly recommend an excellent aspect ratio changer - Wondershare Filmora video editor, which helps you make 4:3, 9:16, 16:9, and 1:1 aspect ratio videos pretty quickly.

Wondershare Filmora

Get started easily with Filmora’s powerful performance, intuitive interface, and countless effects!

Try It Free Try It Free Try It Free Learn More >

filmora-video-editor

Furthermore, you can conveniently share these videos on YouTube, Apple TV, Vimeo, and mobile devices.

Transform aspect ratio at the beginning interface

Wondershare Filmora Video Editor helps you change the project aspect ratio right after launching the video editor program.

If you click the drop-down menu, you will see the usual 16:9, 1:1, 9:16, 4:3, and 21:9 aspect ratios.

change aspect ratio filmora

Unlike Adobe Premiere Pro, Wondershare Filmora offers you four more ways of setting aspect ratios efficiently.

Method 2: You can change the aspect ratio under Project Settings

project settings filmora

Method 3: Change the aspect ratio of video with Auto-Reframe

auto reframe filmora

Method 4: Change aspect ratio during Editing

editing filmora

Method 5: Change aspect ratio while Exporting

exporting filmora

Thus, using the Wondershare Filmora along with the pixel ratio calculator makes a difference!

Part 4 Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio

Although the image aspect ratio comes from its width and height, it also contains multiple subsets that help to define image proportions properly.

1 - Pixel aspect ratio

Pixel aspect ratio (PAR) is the proportion of the specific pixels within an image. They are generally square within the pixel aspect ratio of 1:1.

But sometimes, specific images are optimized for certain types of displays. And, they have rectangular pixels with an aspect ratio of 4:3 or similar.

2 - Display aspect ratio

The display aspect ratio (DAR) is the designers’ most frequent aspect ratio and gets generally synced with the general term.

As the name suggests, the display aspect ratio refers to the proportions of an image as it appears on different screens out there.

Some devices, such as televisions and cameras, have a fixed DAR for images to display nicely on these devices.

They need optimization for their specific or respective aspect ratio. For instance, a typical display aspect ratio for the widescreen video on a television screen or monitor screen is 16:9.

They appear distorted when images with different aspect ratios are presented on these devices. Digital SLR camera sensors also consist of a fixed display aspect ratio, which controls how pictures captured by the camera will be displayed and saved.

3 - Storage aspect ratio

Storage aspect ratio, commonly known as (SAR) is an aspect ratio formula that concerns specifically to encoded digital video files. SAR refers to the height and the width relationship in video frame size, and it is required to be consistent among all individual frames.

SAR x PAR = DAR for max widescreen videos in a usual used formula.

Part 1 Part 5: How Aspect Ratios Affect UI/UX Design?

Aspect ratios play a vital part in any project that consists of displaying and capturing photographs, videos, or other image-based files in an ideal manner. The camera’s fixed aspect ratio can considerably impact, especially for photographers.

And for videographers or anyone working with slideshows, animations, and other motion projects, the aspect ratio is a prominent element for correct display on mobile devices and widescreen.

But even in the environment of responsive web design, problems can arise, such as when an image is not adjustable for display without compromising its quality or content.

A small example is when you need a square image with a 1:1 aspect ratio to insert into a rectangular box on a web page. To accommodate varying image size requirements, proportions and size may need adjustment.

In an increasingly picture-driven digital world, videos and images that look even slightly out of the way add to a visitor’s negative impression of a site. Besides those forced into the wrong configurations can even interfere with a site’s usability.

Poorly proportioned user guide or product images video that’s too stretched to check clearly can affect both a visitor’s want and their ability to use the site. Developers, designers, and anyone working with images will need to know how aspect ratios work and manipulate them for the best visual effect.

Various pixel calculator ratios, both paid and free, have popped up on the web to streamline the process.

Key Takeaways from This Episode

An overview of pixels

Understanding the importance of pixel ratio calculators

Different pixel ratios and their impact on UI/UX design

Behind the Scenes: 10 Successful Movies That Owe Their Success to Final Cut Pro

Top 10 Famous Movies Made By Final Cut Pro

author avatar

Benjamin Arango

Mar 27, 2024• Proven solutions

Developed as video editing software that has been developed by Apple, Final Cut Pro began life as software designed to made simple video editing accessible for video hobbyists and independent filmmakers. However, in recent years the capabilities of Final Cut Pro have evolved significantly and we are now seeing major Hollywood movies also being edited with this software.

Do you want to turn your own video into a Hollywood film-like video? Check this guide on How to make big-budget cinematic look video with Final Cut Pro.

You may also like: 8 Best Movie Trailer Template for After Effects

Top 10 Movies Made by Final Cut Pro

Let’s take a look at ten major movies that have been edited using Final Cut Pro.

Movie made by FCP - the social network

1. The Social Network (2010)

Based on the rise of the phenomenon that we now know as Facebook, The Social Network starred Jesse Eisenberg, Andrew Garfield and Justin Timberlake. The movie performed well at the box office and was also positively received by movie critics.

The film won an Academy Award for Best Editing, collected by Kirk Baxter and Angus Wall. They used Final Cut Pro to edit the film, and one of the things they really like about the software is the ability to do multiple timelines. Final Cut Pro was also used in this movie to enable face replacement in a number of scenes. Two of the key characters in the movie are twins, and so the scenes were filmed with actors (who weren’t twins) and then the editing software was used to create the illusion that they were twins. Digital matte paintings was another feature of this movie that relied on the functionality of Final Cut Pro.


Movie made by FCP - The girl with dragon tattoo

2. The Girl with the Dragon Tattoo (2011)

This was the US adaptation of the earlier Swedish film of the same name - based on the novel by Stieg Larsson. Starring Daniel Craig and Rooney Mara, the story is a crime thriller trying to uncover the secrets surrounding the disappearance of a young girl from a wealthy family.

One of the challenges with this movie was that there were a lot of invisible effects throughout the film. Final Cut Pro was used to achieve the shot stabilization and the visual enhancements - everything from matte painting to creating seasonal elements such as snow.


Movie made by FCP - John Carter

3. John Carter (2011)

A science fiction adventure, this film performed so badly at the box office that it caused major financial problems for its studio Disney.

The editing of the John Carter movie was a particular challenge as a lot of the action was shot twice during the troubled production. The editor Eric Zumbrunnen used Final Cut Pro to piece the various elements together. With a huge range of CGI and creature effects to deal with, the editing process on this movie was extremely complex. Final Cut Pro was used to create a lot of the background detail need to bring the green screen scenes to life.


Movie made by FCP - 500 days of summer

4. 500 Days of Summer (2009)

This was a cute, quirky romantic comedy starring Joseph Gordon-Levitt and Zooey Deschanel.

Editing on the movie was by Alan Edward Bell in DVCPro HD format on Final Cut Pro. Because the storyline of the movie unfolds in a non-linear timeline, the workflow feature of Final Cut Pro made it easier to manage the sequencing of the different scenes. There were also 250 invisible effects which were created using Final Cut Pro’s editing features.


Movie made by FCP - wolverine

5. X-Men Origins: Wolverine (2009)

Continuing the X-Men franchise, this installment traces Wolverine’s childhood and the relationship with his brother. It didn’t really appeal to X-Men fans or movie critics.

Editing on the movie was by Nicolas De Toth and Megan Gill. There were a number of continuity glitches identified during the production of this movie but De Toth and Gill used Final Pro Cut to keep a consistent flow to the narrative. What is interesting about the editing on this movie is that all the cutting of the scenes required was done on Final Cut Pro 5, taking advantage of the software’s HD abilities and also the multi-clip features.


Movie made by FCP - burn after reading

6. Burn After Reading (2008)

A black comedy from the talented brothers Joel and Ethan Coen, they wrote, produced, edited, and directed the movie.

The Coen brothers used Final Cut Pro on this movie because it was simple and easy to use - they were blocking together the rough cuts as the scenes were being shot, and Final Cut Pro gave them the flexibility that they needed to edit quickly. On this movie most of the action was shot using Sony cameras but there were several scenes on which a RED camera was added when an additional camera was needed. Even though there is a significantly different workflow between the two types of camera, the RED material was able to be integrated smoothly with the Sony footage.


Movie made by FCP - No country for old man

7. No Country for Old Men (2007)

A neo-Western thriller from Coen brothers. They directed, wrote, and edited this production.

The movie was also nominated for an Academy Award for Best Editing for editor Roderick Jaynes (a pseudonym for Joel and Ethan Coen).

Directing and editing a movie brings the two processes a lot closer together for the Coen brothers. An easy to use product such as Final Cut Pro ensures that they can construct the movie’s narrative using the timeline features of the product. This movie marked a chance in approach for the Coen brothers, who took advantage of the better resolution DVCPRO HD for their cutting process compared to earlier films that were cut at DV resolution.


Movie made by FCP - 300

8. 300 (2007)

Based on a graphic novel by Frank Miller, this is the fictionalized retelling of the Battle Termopylae - part of the Persian Wars. Directed by Zack Snyder, the movie was filmed with a super-imposition chroma key technique to help replicate the imagery of the original comic book. Editing on the movie was by William Hoy.

To capture the graphic novel look and feel of the film’s images, editor Hoy used a number of the key Final Cut Pro features such as the adjustment layer and blending modes to create depth and mood. With the look and feel of this movie so dependent on the effects created, editor Hoy spent a lot of time debating what was being added visually to each shot and how this would impact the length and continuity of each scene.


Movie made by FCP - Sky Captain

9. Sky Captain and the World of Tomorrow (2004)

With big name stars (Gwyneth Paltrow and Jude Law), this was an unusual film that used digital artists to build multi-layered 2D and 3D backgrounds for live action footage, with hand-drawn storyboards recreated as computer-generated 3D animatics. Critically it was well received but didn’t set the box office alight.

Editing on the movie was by Sabrina Plisco.

Final Cut Pro was particularly critical to create a scene between two characters that was shot in a physical set (unlike the digital soundstage that was used for the rest of the movie). Final Cut Pro allowed the filmmakers to line up the animatics with the live onstage footage. One of the challenges with this movie is that the editors had to manually assign time-codes to each take - the clips were then rendered out and sorted so that they could be used on a Final Cut Pro SD workstation. This approach was also used to create the master off-line cut. Batch lists of the cuts were then imported into Final Cut Pro.


Movie made by FCP - Cold Moutain

10. Cold Mountain (2003)

This is an epic Civil War drama based on the novel by Charles Frazier. Starring Jude Law, Nicole Kidman, and Renee Zellweger this was critically acclaimed and performed reasonably well at the box office.

The movie was also nominated for an Academy Award for Best Editing let by editor Walter Murch.

This was really seen as the breakthrough movie for the use of Final Cut Pro in Hollywood Movies. An entire book has been produced analysing how editor Murch used Final Cut Pro to edit the movie and analysis its impact on future cinema productions. Editor Murch believes that the use of Final Cut Pro on this movie indirected affected the ultimate creative outcome. In particular, the use of the DVD authoring capabilities on Final Cut Pro meant that the editing team was able to look at the material more often, sharing it with more people, and changing the way that they looked at certain scenes.


While Hollywood movies require editing tools of the highest order, the range of effects that you can achieve using Final Cut Pro is impressive - as well as the standard ripple, roll, slip, slide, scrub, razor blade and time remapping edit functions, Final Cut Pro also comes with a range of video transitions and a range of video and audio filters that will take your film project to the next level.

It is clear that Final Cut Pro is definitely now a star in the editing of Hollywood movies, it is time to make it a star in editing your movies as well.

author avatar

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Benjamin Arango

Mar 27, 2024• Proven solutions

Developed as video editing software that has been developed by Apple, Final Cut Pro began life as software designed to made simple video editing accessible for video hobbyists and independent filmmakers. However, in recent years the capabilities of Final Cut Pro have evolved significantly and we are now seeing major Hollywood movies also being edited with this software.

Do you want to turn your own video into a Hollywood film-like video? Check this guide on How to make big-budget cinematic look video with Final Cut Pro.

You may also like: 8 Best Movie Trailer Template for After Effects

Top 10 Movies Made by Final Cut Pro

Let’s take a look at ten major movies that have been edited using Final Cut Pro.

Movie made by FCP - the social network

1. The Social Network (2010)

Based on the rise of the phenomenon that we now know as Facebook, The Social Network starred Jesse Eisenberg, Andrew Garfield and Justin Timberlake. The movie performed well at the box office and was also positively received by movie critics.

The film won an Academy Award for Best Editing, collected by Kirk Baxter and Angus Wall. They used Final Cut Pro to edit the film, and one of the things they really like about the software is the ability to do multiple timelines. Final Cut Pro was also used in this movie to enable face replacement in a number of scenes. Two of the key characters in the movie are twins, and so the scenes were filmed with actors (who weren’t twins) and then the editing software was used to create the illusion that they were twins. Digital matte paintings was another feature of this movie that relied on the functionality of Final Cut Pro.


Movie made by FCP - The girl with dragon tattoo

2. The Girl with the Dragon Tattoo (2011)

This was the US adaptation of the earlier Swedish film of the same name - based on the novel by Stieg Larsson. Starring Daniel Craig and Rooney Mara, the story is a crime thriller trying to uncover the secrets surrounding the disappearance of a young girl from a wealthy family.

One of the challenges with this movie was that there were a lot of invisible effects throughout the film. Final Cut Pro was used to achieve the shot stabilization and the visual enhancements - everything from matte painting to creating seasonal elements such as snow.


Movie made by FCP - John Carter

3. John Carter (2011)

A science fiction adventure, this film performed so badly at the box office that it caused major financial problems for its studio Disney.

The editing of the John Carter movie was a particular challenge as a lot of the action was shot twice during the troubled production. The editor Eric Zumbrunnen used Final Cut Pro to piece the various elements together. With a huge range of CGI and creature effects to deal with, the editing process on this movie was extremely complex. Final Cut Pro was used to create a lot of the background detail need to bring the green screen scenes to life.


Movie made by FCP - 500 days of summer

4. 500 Days of Summer (2009)

This was a cute, quirky romantic comedy starring Joseph Gordon-Levitt and Zooey Deschanel.

Editing on the movie was by Alan Edward Bell in DVCPro HD format on Final Cut Pro. Because the storyline of the movie unfolds in a non-linear timeline, the workflow feature of Final Cut Pro made it easier to manage the sequencing of the different scenes. There were also 250 invisible effects which were created using Final Cut Pro’s editing features.


Movie made by FCP - wolverine

5. X-Men Origins: Wolverine (2009)

Continuing the X-Men franchise, this installment traces Wolverine’s childhood and the relationship with his brother. It didn’t really appeal to X-Men fans or movie critics.

Editing on the movie was by Nicolas De Toth and Megan Gill. There were a number of continuity glitches identified during the production of this movie but De Toth and Gill used Final Pro Cut to keep a consistent flow to the narrative. What is interesting about the editing on this movie is that all the cutting of the scenes required was done on Final Cut Pro 5, taking advantage of the software’s HD abilities and also the multi-clip features.


Movie made by FCP - burn after reading

6. Burn After Reading (2008)

A black comedy from the talented brothers Joel and Ethan Coen, they wrote, produced, edited, and directed the movie.

The Coen brothers used Final Cut Pro on this movie because it was simple and easy to use - they were blocking together the rough cuts as the scenes were being shot, and Final Cut Pro gave them the flexibility that they needed to edit quickly. On this movie most of the action was shot using Sony cameras but there were several scenes on which a RED camera was added when an additional camera was needed. Even though there is a significantly different workflow between the two types of camera, the RED material was able to be integrated smoothly with the Sony footage.


Movie made by FCP - No country for old man

7. No Country for Old Men (2007)

A neo-Western thriller from Coen brothers. They directed, wrote, and edited this production.

The movie was also nominated for an Academy Award for Best Editing for editor Roderick Jaynes (a pseudonym for Joel and Ethan Coen).

Directing and editing a movie brings the two processes a lot closer together for the Coen brothers. An easy to use product such as Final Cut Pro ensures that they can construct the movie’s narrative using the timeline features of the product. This movie marked a chance in approach for the Coen brothers, who took advantage of the better resolution DVCPRO HD for their cutting process compared to earlier films that were cut at DV resolution.


Movie made by FCP - 300

8. 300 (2007)

Based on a graphic novel by Frank Miller, this is the fictionalized retelling of the Battle Termopylae - part of the Persian Wars. Directed by Zack Snyder, the movie was filmed with a super-imposition chroma key technique to help replicate the imagery of the original comic book. Editing on the movie was by William Hoy.

To capture the graphic novel look and feel of the film’s images, editor Hoy used a number of the key Final Cut Pro features such as the adjustment layer and blending modes to create depth and mood. With the look and feel of this movie so dependent on the effects created, editor Hoy spent a lot of time debating what was being added visually to each shot and how this would impact the length and continuity of each scene.


Movie made by FCP - Sky Captain

9. Sky Captain and the World of Tomorrow (2004)

With big name stars (Gwyneth Paltrow and Jude Law), this was an unusual film that used digital artists to build multi-layered 2D and 3D backgrounds for live action footage, with hand-drawn storyboards recreated as computer-generated 3D animatics. Critically it was well received but didn’t set the box office alight.

Editing on the movie was by Sabrina Plisco.

Final Cut Pro was particularly critical to create a scene between two characters that was shot in a physical set (unlike the digital soundstage that was used for the rest of the movie). Final Cut Pro allowed the filmmakers to line up the animatics with the live onstage footage. One of the challenges with this movie is that the editors had to manually assign time-codes to each take - the clips were then rendered out and sorted so that they could be used on a Final Cut Pro SD workstation. This approach was also used to create the master off-line cut. Batch lists of the cuts were then imported into Final Cut Pro.


Movie made by FCP - Cold Moutain

10. Cold Mountain (2003)

This is an epic Civil War drama based on the novel by Charles Frazier. Starring Jude Law, Nicole Kidman, and Renee Zellweger this was critically acclaimed and performed reasonably well at the box office.

The movie was also nominated for an Academy Award for Best Editing let by editor Walter Murch.

This was really seen as the breakthrough movie for the use of Final Cut Pro in Hollywood Movies. An entire book has been produced analysing how editor Murch used Final Cut Pro to edit the movie and analysis its impact on future cinema productions. Editor Murch believes that the use of Final Cut Pro on this movie indirected affected the ultimate creative outcome. In particular, the use of the DVD authoring capabilities on Final Cut Pro meant that the editing team was able to look at the material more often, sharing it with more people, and changing the way that they looked at certain scenes.


While Hollywood movies require editing tools of the highest order, the range of effects that you can achieve using Final Cut Pro is impressive - as well as the standard ripple, roll, slip, slide, scrub, razor blade and time remapping edit functions, Final Cut Pro also comes with a range of video transitions and a range of video and audio filters that will take your film project to the next level.

It is clear that Final Cut Pro is definitely now a star in the editing of Hollywood movies, it is time to make it a star in editing your movies as well.

author avatar

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Benjamin Arango

Mar 27, 2024• Proven solutions

Developed as video editing software that has been developed by Apple, Final Cut Pro began life as software designed to made simple video editing accessible for video hobbyists and independent filmmakers. However, in recent years the capabilities of Final Cut Pro have evolved significantly and we are now seeing major Hollywood movies also being edited with this software.

Do you want to turn your own video into a Hollywood film-like video? Check this guide on How to make big-budget cinematic look video with Final Cut Pro.

You may also like: 8 Best Movie Trailer Template for After Effects

Top 10 Movies Made by Final Cut Pro

Let’s take a look at ten major movies that have been edited using Final Cut Pro.

Movie made by FCP - the social network

1. The Social Network (2010)

Based on the rise of the phenomenon that we now know as Facebook, The Social Network starred Jesse Eisenberg, Andrew Garfield and Justin Timberlake. The movie performed well at the box office and was also positively received by movie critics.

The film won an Academy Award for Best Editing, collected by Kirk Baxter and Angus Wall. They used Final Cut Pro to edit the film, and one of the things they really like about the software is the ability to do multiple timelines. Final Cut Pro was also used in this movie to enable face replacement in a number of scenes. Two of the key characters in the movie are twins, and so the scenes were filmed with actors (who weren’t twins) and then the editing software was used to create the illusion that they were twins. Digital matte paintings was another feature of this movie that relied on the functionality of Final Cut Pro.


Movie made by FCP - The girl with dragon tattoo

2. The Girl with the Dragon Tattoo (2011)

This was the US adaptation of the earlier Swedish film of the same name - based on the novel by Stieg Larsson. Starring Daniel Craig and Rooney Mara, the story is a crime thriller trying to uncover the secrets surrounding the disappearance of a young girl from a wealthy family.

One of the challenges with this movie was that there were a lot of invisible effects throughout the film. Final Cut Pro was used to achieve the shot stabilization and the visual enhancements - everything from matte painting to creating seasonal elements such as snow.


Movie made by FCP - John Carter

3. John Carter (2011)

A science fiction adventure, this film performed so badly at the box office that it caused major financial problems for its studio Disney.

The editing of the John Carter movie was a particular challenge as a lot of the action was shot twice during the troubled production. The editor Eric Zumbrunnen used Final Cut Pro to piece the various elements together. With a huge range of CGI and creature effects to deal with, the editing process on this movie was extremely complex. Final Cut Pro was used to create a lot of the background detail need to bring the green screen scenes to life.


Movie made by FCP - 500 days of summer

4. 500 Days of Summer (2009)

This was a cute, quirky romantic comedy starring Joseph Gordon-Levitt and Zooey Deschanel.

Editing on the movie was by Alan Edward Bell in DVCPro HD format on Final Cut Pro. Because the storyline of the movie unfolds in a non-linear timeline, the workflow feature of Final Cut Pro made it easier to manage the sequencing of the different scenes. There were also 250 invisible effects which were created using Final Cut Pro’s editing features.


Movie made by FCP - wolverine

5. X-Men Origins: Wolverine (2009)

Continuing the X-Men franchise, this installment traces Wolverine’s childhood and the relationship with his brother. It didn’t really appeal to X-Men fans or movie critics.

Editing on the movie was by Nicolas De Toth and Megan Gill. There were a number of continuity glitches identified during the production of this movie but De Toth and Gill used Final Pro Cut to keep a consistent flow to the narrative. What is interesting about the editing on this movie is that all the cutting of the scenes required was done on Final Cut Pro 5, taking advantage of the software’s HD abilities and also the multi-clip features.


Movie made by FCP - burn after reading

6. Burn After Reading (2008)

A black comedy from the talented brothers Joel and Ethan Coen, they wrote, produced, edited, and directed the movie.

The Coen brothers used Final Cut Pro on this movie because it was simple and easy to use - they were blocking together the rough cuts as the scenes were being shot, and Final Cut Pro gave them the flexibility that they needed to edit quickly. On this movie most of the action was shot using Sony cameras but there were several scenes on which a RED camera was added when an additional camera was needed. Even though there is a significantly different workflow between the two types of camera, the RED material was able to be integrated smoothly with the Sony footage.


Movie made by FCP - No country for old man

7. No Country for Old Men (2007)

A neo-Western thriller from Coen brothers. They directed, wrote, and edited this production.

The movie was also nominated for an Academy Award for Best Editing for editor Roderick Jaynes (a pseudonym for Joel and Ethan Coen).

Directing and editing a movie brings the two processes a lot closer together for the Coen brothers. An easy to use product such as Final Cut Pro ensures that they can construct the movie’s narrative using the timeline features of the product. This movie marked a chance in approach for the Coen brothers, who took advantage of the better resolution DVCPRO HD for their cutting process compared to earlier films that were cut at DV resolution.


Movie made by FCP - 300

8. 300 (2007)

Based on a graphic novel by Frank Miller, this is the fictionalized retelling of the Battle Termopylae - part of the Persian Wars. Directed by Zack Snyder, the movie was filmed with a super-imposition chroma key technique to help replicate the imagery of the original comic book. Editing on the movie was by William Hoy.

To capture the graphic novel look and feel of the film’s images, editor Hoy used a number of the key Final Cut Pro features such as the adjustment layer and blending modes to create depth and mood. With the look and feel of this movie so dependent on the effects created, editor Hoy spent a lot of time debating what was being added visually to each shot and how this would impact the length and continuity of each scene.


Movie made by FCP - Sky Captain

9. Sky Captain and the World of Tomorrow (2004)

With big name stars (Gwyneth Paltrow and Jude Law), this was an unusual film that used digital artists to build multi-layered 2D and 3D backgrounds for live action footage, with hand-drawn storyboards recreated as computer-generated 3D animatics. Critically it was well received but didn’t set the box office alight.

Editing on the movie was by Sabrina Plisco.

Final Cut Pro was particularly critical to create a scene between two characters that was shot in a physical set (unlike the digital soundstage that was used for the rest of the movie). Final Cut Pro allowed the filmmakers to line up the animatics with the live onstage footage. One of the challenges with this movie is that the editors had to manually assign time-codes to each take - the clips were then rendered out and sorted so that they could be used on a Final Cut Pro SD workstation. This approach was also used to create the master off-line cut. Batch lists of the cuts were then imported into Final Cut Pro.


Movie made by FCP - Cold Moutain

10. Cold Mountain (2003)

This is an epic Civil War drama based on the novel by Charles Frazier. Starring Jude Law, Nicole Kidman, and Renee Zellweger this was critically acclaimed and performed reasonably well at the box office.

The movie was also nominated for an Academy Award for Best Editing let by editor Walter Murch.

This was really seen as the breakthrough movie for the use of Final Cut Pro in Hollywood Movies. An entire book has been produced analysing how editor Murch used Final Cut Pro to edit the movie and analysis its impact on future cinema productions. Editor Murch believes that the use of Final Cut Pro on this movie indirected affected the ultimate creative outcome. In particular, the use of the DVD authoring capabilities on Final Cut Pro meant that the editing team was able to look at the material more often, sharing it with more people, and changing the way that they looked at certain scenes.


While Hollywood movies require editing tools of the highest order, the range of effects that you can achieve using Final Cut Pro is impressive - as well as the standard ripple, roll, slip, slide, scrub, razor blade and time remapping edit functions, Final Cut Pro also comes with a range of video transitions and a range of video and audio filters that will take your film project to the next level.

It is clear that Final Cut Pro is definitely now a star in the editing of Hollywood movies, it is time to make it a star in editing your movies as well.

author avatar

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Benjamin Arango

Mar 27, 2024• Proven solutions

Developed as video editing software that has been developed by Apple, Final Cut Pro began life as software designed to made simple video editing accessible for video hobbyists and independent filmmakers. However, in recent years the capabilities of Final Cut Pro have evolved significantly and we are now seeing major Hollywood movies also being edited with this software.

Do you want to turn your own video into a Hollywood film-like video? Check this guide on How to make big-budget cinematic look video with Final Cut Pro.

You may also like: 8 Best Movie Trailer Template for After Effects

Top 10 Movies Made by Final Cut Pro

Let’s take a look at ten major movies that have been edited using Final Cut Pro.

Movie made by FCP - the social network

1. The Social Network (2010)

Based on the rise of the phenomenon that we now know as Facebook, The Social Network starred Jesse Eisenberg, Andrew Garfield and Justin Timberlake. The movie performed well at the box office and was also positively received by movie critics.

The film won an Academy Award for Best Editing, collected by Kirk Baxter and Angus Wall. They used Final Cut Pro to edit the film, and one of the things they really like about the software is the ability to do multiple timelines. Final Cut Pro was also used in this movie to enable face replacement in a number of scenes. Two of the key characters in the movie are twins, and so the scenes were filmed with actors (who weren’t twins) and then the editing software was used to create the illusion that they were twins. Digital matte paintings was another feature of this movie that relied on the functionality of Final Cut Pro.


Movie made by FCP - The girl with dragon tattoo

2. The Girl with the Dragon Tattoo (2011)

This was the US adaptation of the earlier Swedish film of the same name - based on the novel by Stieg Larsson. Starring Daniel Craig and Rooney Mara, the story is a crime thriller trying to uncover the secrets surrounding the disappearance of a young girl from a wealthy family.

One of the challenges with this movie was that there were a lot of invisible effects throughout the film. Final Cut Pro was used to achieve the shot stabilization and the visual enhancements - everything from matte painting to creating seasonal elements such as snow.


Movie made by FCP - John Carter

3. John Carter (2011)

A science fiction adventure, this film performed so badly at the box office that it caused major financial problems for its studio Disney.

The editing of the John Carter movie was a particular challenge as a lot of the action was shot twice during the troubled production. The editor Eric Zumbrunnen used Final Cut Pro to piece the various elements together. With a huge range of CGI and creature effects to deal with, the editing process on this movie was extremely complex. Final Cut Pro was used to create a lot of the background detail need to bring the green screen scenes to life.


Movie made by FCP - 500 days of summer

4. 500 Days of Summer (2009)

This was a cute, quirky romantic comedy starring Joseph Gordon-Levitt and Zooey Deschanel.

Editing on the movie was by Alan Edward Bell in DVCPro HD format on Final Cut Pro. Because the storyline of the movie unfolds in a non-linear timeline, the workflow feature of Final Cut Pro made it easier to manage the sequencing of the different scenes. There were also 250 invisible effects which were created using Final Cut Pro’s editing features.


Movie made by FCP - wolverine

5. X-Men Origins: Wolverine (2009)

Continuing the X-Men franchise, this installment traces Wolverine’s childhood and the relationship with his brother. It didn’t really appeal to X-Men fans or movie critics.

Editing on the movie was by Nicolas De Toth and Megan Gill. There were a number of continuity glitches identified during the production of this movie but De Toth and Gill used Final Pro Cut to keep a consistent flow to the narrative. What is interesting about the editing on this movie is that all the cutting of the scenes required was done on Final Cut Pro 5, taking advantage of the software’s HD abilities and also the multi-clip features.


Movie made by FCP - burn after reading

6. Burn After Reading (2008)

A black comedy from the talented brothers Joel and Ethan Coen, they wrote, produced, edited, and directed the movie.

The Coen brothers used Final Cut Pro on this movie because it was simple and easy to use - they were blocking together the rough cuts as the scenes were being shot, and Final Cut Pro gave them the flexibility that they needed to edit quickly. On this movie most of the action was shot using Sony cameras but there were several scenes on which a RED camera was added when an additional camera was needed. Even though there is a significantly different workflow between the two types of camera, the RED material was able to be integrated smoothly with the Sony footage.


Movie made by FCP - No country for old man

7. No Country for Old Men (2007)

A neo-Western thriller from Coen brothers. They directed, wrote, and edited this production.

The movie was also nominated for an Academy Award for Best Editing for editor Roderick Jaynes (a pseudonym for Joel and Ethan Coen).

Directing and editing a movie brings the two processes a lot closer together for the Coen brothers. An easy to use product such as Final Cut Pro ensures that they can construct the movie’s narrative using the timeline features of the product. This movie marked a chance in approach for the Coen brothers, who took advantage of the better resolution DVCPRO HD for their cutting process compared to earlier films that were cut at DV resolution.


Movie made by FCP - 300

8. 300 (2007)

Based on a graphic novel by Frank Miller, this is the fictionalized retelling of the Battle Termopylae - part of the Persian Wars. Directed by Zack Snyder, the movie was filmed with a super-imposition chroma key technique to help replicate the imagery of the original comic book. Editing on the movie was by William Hoy.

To capture the graphic novel look and feel of the film’s images, editor Hoy used a number of the key Final Cut Pro features such as the adjustment layer and blending modes to create depth and mood. With the look and feel of this movie so dependent on the effects created, editor Hoy spent a lot of time debating what was being added visually to each shot and how this would impact the length and continuity of each scene.


Movie made by FCP - Sky Captain

9. Sky Captain and the World of Tomorrow (2004)

With big name stars (Gwyneth Paltrow and Jude Law), this was an unusual film that used digital artists to build multi-layered 2D and 3D backgrounds for live action footage, with hand-drawn storyboards recreated as computer-generated 3D animatics. Critically it was well received but didn’t set the box office alight.

Editing on the movie was by Sabrina Plisco.

Final Cut Pro was particularly critical to create a scene between two characters that was shot in a physical set (unlike the digital soundstage that was used for the rest of the movie). Final Cut Pro allowed the filmmakers to line up the animatics with the live onstage footage. One of the challenges with this movie is that the editors had to manually assign time-codes to each take - the clips were then rendered out and sorted so that they could be used on a Final Cut Pro SD workstation. This approach was also used to create the master off-line cut. Batch lists of the cuts were then imported into Final Cut Pro.


Movie made by FCP - Cold Moutain

10. Cold Mountain (2003)

This is an epic Civil War drama based on the novel by Charles Frazier. Starring Jude Law, Nicole Kidman, and Renee Zellweger this was critically acclaimed and performed reasonably well at the box office.

The movie was also nominated for an Academy Award for Best Editing let by editor Walter Murch.

This was really seen as the breakthrough movie for the use of Final Cut Pro in Hollywood Movies. An entire book has been produced analysing how editor Murch used Final Cut Pro to edit the movie and analysis its impact on future cinema productions. Editor Murch believes that the use of Final Cut Pro on this movie indirected affected the ultimate creative outcome. In particular, the use of the DVD authoring capabilities on Final Cut Pro meant that the editing team was able to look at the material more often, sharing it with more people, and changing the way that they looked at certain scenes.


While Hollywood movies require editing tools of the highest order, the range of effects that you can achieve using Final Cut Pro is impressive - as well as the standard ripple, roll, slip, slide, scrub, razor blade and time remapping edit functions, Final Cut Pro also comes with a range of video transitions and a range of video and audio filters that will take your film project to the next level.

It is clear that Final Cut Pro is definitely now a star in the editing of Hollywood movies, it is time to make it a star in editing your movies as well.

author avatar

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Glowing Complexions without Plugins: FCPX Video Editing Tips

Full Guide: How to Add a Skin Smoother Effect with Final Cut Pro

author avatar

Liza Brown

Mar 27, 2024• Proven solutions

It’s quite common for vloggers to try to show the best of their states. However, makeup, weather, and the shooting equipment may disagree. So, how to tackle this problem?

skin-smoother

Fortunately, we have the best solutions to fix the skin tone issue by using FCPX’s built-in tools or smooth skin plugins. You will learn how to strategically adjust your footage’s look for stylistic purposes and impress your audience with your video-editing skills. Now, let’s understand what a skin smoother effect is before learning how to add it in FCPX.

Part 1: How to Add a Skin Smoother Effect without Plugins in Final Cut Pro?

Smoothening the skin in Final Cut Pro is very simple. Simply select the video, choose Video effects to be applied, and adjust the percentages from the Inspector pane. You will get wrinkle-free skin with an astonishing look. While multiple plugins are also available to apply a skin smoother effect, you can use the built-in features of Final Cut Pro to smoothen the skin and decrease the amount of contrast.

Here’s how you can do this:

step1Choose the starting image and edit the clip into the timeline. Press Option and make a connected copy of the clip by dragging it up. The start and end points should match for syncing. In the Effects Browser, drag Blur > Gaussian Blur to apply the blur effect on the upper clip.

Skin_Smoother_Effect_1

step2Open the Inspector pan and select Compositing from its bottom. Switch the Blend Mode to Lighten and adjust the Opacity slider as per your desired glow. Usually, 40 to 45% is ideal.

Skin_Smoother_Effect_2

step3Now, go to the top of the Inspector and turn on the blue checkbox next to Gaussian. Adjust the blurring effect until you achieve your desired level of skin softening. It is highly recommended to blur using the horizontal setting to soften the skin while keeping the eyes sharp. Here, the glow is controlled by Opacity while skin softening is controlled by the Blue Amount.

Skin_Smoother_Effect_3

For better results, add a Vignette by selecting and combining the two clips into a Compound Clip. From the Effects Browser, select Stylize > Vignette and adjust drag the vignette. Now, customize the compound clip settings in the Inspector pane until you achieve your desired look. Compare the results between two images before and after editing

Part 2: Where to Find Good Skin Smoother Plugins?

Plugins make it easy for beginners and users with limited expertise to add a skin smoother effect in Final Cut Pro X. You can find both free and paid skin smoother plugins for FCPX online. Given below are some popular skin smoothening plugins for Final Cut Pro X.

  1. Skin Smoother 2

Skin Smoother 2 is a powerful and easy-to-use plugin that allows you to smooth out unwanted skin details and enhance your facial appearance.

Price: $19.99 (One-time Charges)

Software Requirements: FCP 10.2 or later

Features:

  • Enhanced control over facial adjustments with fine-tuning giving more natural results;
  • Precise color sampling without a need to match up with present skin tones; and
  • 3 to 5 times faster rendering.
  1. Color Finale

Color Finale is a user-friendly, fine-tuned, and fully-featured professional skin smoother plugin purpose bit for FCP.

color-finale-2

Price: $152

Software Requirements: FCP 10.4.8 - 10.5.1

Features:

  • Color wheels, curves, and LUT utilities;
  • A complete professional color toolset for videographers, colorists, and editors; and
  • Allows personal preference on the interface.
  1. Universe

A comprehensive FCP tool with 89 individual plugins to apply the next-generation skin smoothening and facial improvement effects.

Price: $199/year

Software Requirements: FCPX 10.5 or later

Features:

  • Advanced transitions and effects and motion graphics tools;
  • A variety of cool presents and text generators; and
  • Number counters, chromatic aberration, VHS looks, camera shake, glitch effects.

Part 3: How to adopt Skin Smoothing Plugins into FCPX?

Follow these steps to use the Skin Smooth 2 Plugin for Final Cut Pro X:

  1. Purchase and download the Skin Smoother 2 plugin. Go to downloads, unzip the folder containing the plugin and install it on your computer.
  2. Open the FCPX, go to Effects, and click on Skin Smoother 2. A list of options will appear. Import the image or video you want to edit.Skin_Smoother_Effect_4
  3. To apply the skin-smoothing effect, click on Add Color Mask, and select the areas of the face where the color mask has to be added.Skin_Smoother_Effect_5
  4. Adjust the Skin Smoothing, Smoothing Mix, and the Softness of the color mask as per your requirements.Skin_Smoother_Effect_6
  5. Finally, click on Add Shape Mask, two circles will appear on the image. Adjust the covering area of both circles for Shape Mask 1 to add a smiling face.Skin_Smoother_Effect_7

Part 4: How to Smooth Skin in Filmora?

Wondershare Filmora features advanced tuning tools and a variety of video filters and overlays. Learn how to smooth skin or beautify your face in the video with this advanced video-editing software.

Download Win Version Download Mac Version

  1. Open Filmora, open New Project and click Import to load your videos to the timeline.
  2. Double click on the video to open the editing window. Open the Color panel and adjust parameters according to your preference such as white balance, tone, and 3D LUT, etc.
  3. Open the toolbar, click the Advanced Color Tuning icon, go to the advanced color tuning window, and adjust the white balance, color tint and temperature, HSL, 3D LUT, Vignette, and Light. If you are a beginner, try applying the present templates.
  4. To set a specific tone or beautify your video, open the Tools tab and click the Color Correction option to change the color tones.
  5. Open Effects and Transitions and select the skin smooth filter. Hover the cursor over the filter and click the plus icon in the middle to add that effect. You can also apply the effect to the whole clip by dragging and dropping it directly onto the video clip.

Part 5: How to smooth skin in Adobe Pro?

Given below are simple steps to create a face matter, control the skin smoothing, adjust color correction, and correct the skin glow in Adobe Pro by using the Beauty Studio Effect:

  1. Applying the Beauty Studio effect smoothens all parts of the image including the background. However, it will make your footage look artificial, which is not desired. Hence, turn on the Pixel Chooser, pick two colors with the eye dropper tool. Color A for the darker area and Color B for the lighter area.
  2. Underneath the Mocha Matte, use the eyedropper tool to select colors on the skin of the subject in your footage.
  3. Now, click on View Matte/Mask to visualize the image areas where you are applying the skin smoothing effect. The Beauty Studio will affect the smoothing effect in the white area while the black area will remain unsmoothed.
  4. Adjust the Saturation, Hue, and Luma softness to enhance the appearance of the skin, eyes, and mouth.
  5. To prevent the rest of the image from getting affected, create a Mocha mask around the face by clicking on the Mocha logo and drawing a mask with the X-Spline tool. Make sure the mask moves as the subject is moved after your track forward and back.
  6. Beauty Studio offers four levels of skin smoothing. You can adjust these levels as per your situation by lowering the smoothing amount for each level. For better results, adjust the levels at 70 or below.
  7. For the final touch, adjust the sharpening between 10-20 points, add saturation between 3 to 8 points for color correction, and add 5 to 10 points of glow. Your image is ready, compare the results before and after applying the effect.

Conclusion

Smooth skin with clear facial expressions attracts everyone. You can apply a skin smooth effect in your video by using advanced video editing tools like Final Cut Pro, Adobe Premium, and Wondershare Filmora.

There are two methods to add a skin smooth effect with FCPX: By using in-built software settings, or by using plugins like Skin Smoother 2, Color Finale, and Universe. Use Beauty Studio Effect in Adobe Pro to smooth skin and improve facial appearance. Finally, you can beautify the face in your video by adding transitions, making color adjustments, and applying different effects with Wondershare Filmora.

author avatar

Liza Brown

Liza Brown is a writer and a lover of all things video.

Follow @Liza Brown

Liza Brown

Mar 27, 2024• Proven solutions

It’s quite common for vloggers to try to show the best of their states. However, makeup, weather, and the shooting equipment may disagree. So, how to tackle this problem?

skin-smoother

Fortunately, we have the best solutions to fix the skin tone issue by using FCPX’s built-in tools or smooth skin plugins. You will learn how to strategically adjust your footage’s look for stylistic purposes and impress your audience with your video-editing skills. Now, let’s understand what a skin smoother effect is before learning how to add it in FCPX.

Part 1: How to Add a Skin Smoother Effect without Plugins in Final Cut Pro?

Smoothening the skin in Final Cut Pro is very simple. Simply select the video, choose Video effects to be applied, and adjust the percentages from the Inspector pane. You will get wrinkle-free skin with an astonishing look. While multiple plugins are also available to apply a skin smoother effect, you can use the built-in features of Final Cut Pro to smoothen the skin and decrease the amount of contrast.

Here’s how you can do this:

step1Choose the starting image and edit the clip into the timeline. Press Option and make a connected copy of the clip by dragging it up. The start and end points should match for syncing. In the Effects Browser, drag Blur > Gaussian Blur to apply the blur effect on the upper clip.

Skin_Smoother_Effect_1

step2Open the Inspector pan and select Compositing from its bottom. Switch the Blend Mode to Lighten and adjust the Opacity slider as per your desired glow. Usually, 40 to 45% is ideal.

Skin_Smoother_Effect_2

step3Now, go to the top of the Inspector and turn on the blue checkbox next to Gaussian. Adjust the blurring effect until you achieve your desired level of skin softening. It is highly recommended to blur using the horizontal setting to soften the skin while keeping the eyes sharp. Here, the glow is controlled by Opacity while skin softening is controlled by the Blue Amount.

Skin_Smoother_Effect_3

For better results, add a Vignette by selecting and combining the two clips into a Compound Clip. From the Effects Browser, select Stylize > Vignette and adjust drag the vignette. Now, customize the compound clip settings in the Inspector pane until you achieve your desired look. Compare the results between two images before and after editing

Part 2: Where to Find Good Skin Smoother Plugins?

Plugins make it easy for beginners and users with limited expertise to add a skin smoother effect in Final Cut Pro X. You can find both free and paid skin smoother plugins for FCPX online. Given below are some popular skin smoothening plugins for Final Cut Pro X.

  1. Skin Smoother 2

Skin Smoother 2 is a powerful and easy-to-use plugin that allows you to smooth out unwanted skin details and enhance your facial appearance.

Price: $19.99 (One-time Charges)

Software Requirements: FCP 10.2 or later

Features:

  • Enhanced control over facial adjustments with fine-tuning giving more natural results;
  • Precise color sampling without a need to match up with present skin tones; and
  • 3 to 5 times faster rendering.
  1. Color Finale

Color Finale is a user-friendly, fine-tuned, and fully-featured professional skin smoother plugin purpose bit for FCP.

color-finale-2

Price: $152

Software Requirements: FCP 10.4.8 - 10.5.1

Features:

  • Color wheels, curves, and LUT utilities;
  • A complete professional color toolset for videographers, colorists, and editors; and
  • Allows personal preference on the interface.
  1. Universe

A comprehensive FCP tool with 89 individual plugins to apply the next-generation skin smoothening and facial improvement effects.

Price: $199/year

Software Requirements: FCPX 10.5 or later

Features:

  • Advanced transitions and effects and motion graphics tools;
  • A variety of cool presents and text generators; and
  • Number counters, chromatic aberration, VHS looks, camera shake, glitch effects.

Part 3: How to adopt Skin Smoothing Plugins into FCPX?

Follow these steps to use the Skin Smooth 2 Plugin for Final Cut Pro X:

  1. Purchase and download the Skin Smoother 2 plugin. Go to downloads, unzip the folder containing the plugin and install it on your computer.
  2. Open the FCPX, go to Effects, and click on Skin Smoother 2. A list of options will appear. Import the image or video you want to edit.Skin_Smoother_Effect_4
  3. To apply the skin-smoothing effect, click on Add Color Mask, and select the areas of the face where the color mask has to be added.Skin_Smoother_Effect_5
  4. Adjust the Skin Smoothing, Smoothing Mix, and the Softness of the color mask as per your requirements.Skin_Smoother_Effect_6
  5. Finally, click on Add Shape Mask, two circles will appear on the image. Adjust the covering area of both circles for Shape Mask 1 to add a smiling face.Skin_Smoother_Effect_7

Part 4: How to Smooth Skin in Filmora?

Wondershare Filmora features advanced tuning tools and a variety of video filters and overlays. Learn how to smooth skin or beautify your face in the video with this advanced video-editing software.

Download Win Version Download Mac Version

  1. Open Filmora, open New Project and click Import to load your videos to the timeline.
  2. Double click on the video to open the editing window. Open the Color panel and adjust parameters according to your preference such as white balance, tone, and 3D LUT, etc.
  3. Open the toolbar, click the Advanced Color Tuning icon, go to the advanced color tuning window, and adjust the white balance, color tint and temperature, HSL, 3D LUT, Vignette, and Light. If you are a beginner, try applying the present templates.
  4. To set a specific tone or beautify your video, open the Tools tab and click the Color Correction option to change the color tones.
  5. Open Effects and Transitions and select the skin smooth filter. Hover the cursor over the filter and click the plus icon in the middle to add that effect. You can also apply the effect to the whole clip by dragging and dropping it directly onto the video clip.

Part 5: How to smooth skin in Adobe Pro?

Given below are simple steps to create a face matter, control the skin smoothing, adjust color correction, and correct the skin glow in Adobe Pro by using the Beauty Studio Effect:

  1. Applying the Beauty Studio effect smoothens all parts of the image including the background. However, it will make your footage look artificial, which is not desired. Hence, turn on the Pixel Chooser, pick two colors with the eye dropper tool. Color A for the darker area and Color B for the lighter area.
  2. Underneath the Mocha Matte, use the eyedropper tool to select colors on the skin of the subject in your footage.
  3. Now, click on View Matte/Mask to visualize the image areas where you are applying the skin smoothing effect. The Beauty Studio will affect the smoothing effect in the white area while the black area will remain unsmoothed.
  4. Adjust the Saturation, Hue, and Luma softness to enhance the appearance of the skin, eyes, and mouth.
  5. To prevent the rest of the image from getting affected, create a Mocha mask around the face by clicking on the Mocha logo and drawing a mask with the X-Spline tool. Make sure the mask moves as the subject is moved after your track forward and back.
  6. Beauty Studio offers four levels of skin smoothing. You can adjust these levels as per your situation by lowering the smoothing amount for each level. For better results, adjust the levels at 70 or below.
  7. For the final touch, adjust the sharpening between 10-20 points, add saturation between 3 to 8 points for color correction, and add 5 to 10 points of glow. Your image is ready, compare the results before and after applying the effect.

Conclusion

Smooth skin with clear facial expressions attracts everyone. You can apply a skin smooth effect in your video by using advanced video editing tools like Final Cut Pro, Adobe Premium, and Wondershare Filmora.

There are two methods to add a skin smooth effect with FCPX: By using in-built software settings, or by using plugins like Skin Smoother 2, Color Finale, and Universe. Use Beauty Studio Effect in Adobe Pro to smooth skin and improve facial appearance. Finally, you can beautify the face in your video by adding transitions, making color adjustments, and applying different effects with Wondershare Filmora.

author avatar

Liza Brown

Liza Brown is a writer and a lover of all things video.

Follow @Liza Brown

Liza Brown

Mar 27, 2024• Proven solutions

It’s quite common for vloggers to try to show the best of their states. However, makeup, weather, and the shooting equipment may disagree. So, how to tackle this problem?

skin-smoother

Fortunately, we have the best solutions to fix the skin tone issue by using FCPX’s built-in tools or smooth skin plugins. You will learn how to strategically adjust your footage’s look for stylistic purposes and impress your audience with your video-editing skills. Now, let’s understand what a skin smoother effect is before learning how to add it in FCPX.

Part 1: How to Add a Skin Smoother Effect without Plugins in Final Cut Pro?

Smoothening the skin in Final Cut Pro is very simple. Simply select the video, choose Video effects to be applied, and adjust the percentages from the Inspector pane. You will get wrinkle-free skin with an astonishing look. While multiple plugins are also available to apply a skin smoother effect, you can use the built-in features of Final Cut Pro to smoothen the skin and decrease the amount of contrast.

Here’s how you can do this:

step1Choose the starting image and edit the clip into the timeline. Press Option and make a connected copy of the clip by dragging it up. The start and end points should match for syncing. In the Effects Browser, drag Blur > Gaussian Blur to apply the blur effect on the upper clip.

Skin_Smoother_Effect_1

step2Open the Inspector pan and select Compositing from its bottom. Switch the Blend Mode to Lighten and adjust the Opacity slider as per your desired glow. Usually, 40 to 45% is ideal.

Skin_Smoother_Effect_2

step3Now, go to the top of the Inspector and turn on the blue checkbox next to Gaussian. Adjust the blurring effect until you achieve your desired level of skin softening. It is highly recommended to blur using the horizontal setting to soften the skin while keeping the eyes sharp. Here, the glow is controlled by Opacity while skin softening is controlled by the Blue Amount.

Skin_Smoother_Effect_3

For better results, add a Vignette by selecting and combining the two clips into a Compound Clip. From the Effects Browser, select Stylize > Vignette and adjust drag the vignette. Now, customize the compound clip settings in the Inspector pane until you achieve your desired look. Compare the results between two images before and after editing

Part 2: Where to Find Good Skin Smoother Plugins?

Plugins make it easy for beginners and users with limited expertise to add a skin smoother effect in Final Cut Pro X. You can find both free and paid skin smoother plugins for FCPX online. Given below are some popular skin smoothening plugins for Final Cut Pro X.

  1. Skin Smoother 2

Skin Smoother 2 is a powerful and easy-to-use plugin that allows you to smooth out unwanted skin details and enhance your facial appearance.

Price: $19.99 (One-time Charges)

Software Requirements: FCP 10.2 or later

Features:

  • Enhanced control over facial adjustments with fine-tuning giving more natural results;
  • Precise color sampling without a need to match up with present skin tones; and
  • 3 to 5 times faster rendering.
  1. Color Finale

Color Finale is a user-friendly, fine-tuned, and fully-featured professional skin smoother plugin purpose bit for FCP.

color-finale-2

Price: $152

Software Requirements: FCP 10.4.8 - 10.5.1

Features:

  • Color wheels, curves, and LUT utilities;
  • A complete professional color toolset for videographers, colorists, and editors; and
  • Allows personal preference on the interface.
  1. Universe

A comprehensive FCP tool with 89 individual plugins to apply the next-generation skin smoothening and facial improvement effects.

Price: $199/year

Software Requirements: FCPX 10.5 or later

Features:

  • Advanced transitions and effects and motion graphics tools;
  • A variety of cool presents and text generators; and
  • Number counters, chromatic aberration, VHS looks, camera shake, glitch effects.

Part 3: How to adopt Skin Smoothing Plugins into FCPX?

Follow these steps to use the Skin Smooth 2 Plugin for Final Cut Pro X:

  1. Purchase and download the Skin Smoother 2 plugin. Go to downloads, unzip the folder containing the plugin and install it on your computer.
  2. Open the FCPX, go to Effects, and click on Skin Smoother 2. A list of options will appear. Import the image or video you want to edit.Skin_Smoother_Effect_4
  3. To apply the skin-smoothing effect, click on Add Color Mask, and select the areas of the face where the color mask has to be added.Skin_Smoother_Effect_5
  4. Adjust the Skin Smoothing, Smoothing Mix, and the Softness of the color mask as per your requirements.Skin_Smoother_Effect_6
  5. Finally, click on Add Shape Mask, two circles will appear on the image. Adjust the covering area of both circles for Shape Mask 1 to add a smiling face.Skin_Smoother_Effect_7

Part 4: How to Smooth Skin in Filmora?

Wondershare Filmora features advanced tuning tools and a variety of video filters and overlays. Learn how to smooth skin or beautify your face in the video with this advanced video-editing software.

Download Win Version Download Mac Version

  1. Open Filmora, open New Project and click Import to load your videos to the timeline.
  2. Double click on the video to open the editing window. Open the Color panel and adjust parameters according to your preference such as white balance, tone, and 3D LUT, etc.
  3. Open the toolbar, click the Advanced Color Tuning icon, go to the advanced color tuning window, and adjust the white balance, color tint and temperature, HSL, 3D LUT, Vignette, and Light. If you are a beginner, try applying the present templates.
  4. To set a specific tone or beautify your video, open the Tools tab and click the Color Correction option to change the color tones.
  5. Open Effects and Transitions and select the skin smooth filter. Hover the cursor over the filter and click the plus icon in the middle to add that effect. You can also apply the effect to the whole clip by dragging and dropping it directly onto the video clip.

Part 5: How to smooth skin in Adobe Pro?

Given below are simple steps to create a face matter, control the skin smoothing, adjust color correction, and correct the skin glow in Adobe Pro by using the Beauty Studio Effect:

  1. Applying the Beauty Studio effect smoothens all parts of the image including the background. However, it will make your footage look artificial, which is not desired. Hence, turn on the Pixel Chooser, pick two colors with the eye dropper tool. Color A for the darker area and Color B for the lighter area.
  2. Underneath the Mocha Matte, use the eyedropper tool to select colors on the skin of the subject in your footage.
  3. Now, click on View Matte/Mask to visualize the image areas where you are applying the skin smoothing effect. The Beauty Studio will affect the smoothing effect in the white area while the black area will remain unsmoothed.
  4. Adjust the Saturation, Hue, and Luma softness to enhance the appearance of the skin, eyes, and mouth.
  5. To prevent the rest of the image from getting affected, create a Mocha mask around the face by clicking on the Mocha logo and drawing a mask with the X-Spline tool. Make sure the mask moves as the subject is moved after your track forward and back.
  6. Beauty Studio offers four levels of skin smoothing. You can adjust these levels as per your situation by lowering the smoothing amount for each level. For better results, adjust the levels at 70 or below.
  7. For the final touch, adjust the sharpening between 10-20 points, add saturation between 3 to 8 points for color correction, and add 5 to 10 points of glow. Your image is ready, compare the results before and after applying the effect.

Conclusion

Smooth skin with clear facial expressions attracts everyone. You can apply a skin smooth effect in your video by using advanced video editing tools like Final Cut Pro, Adobe Premium, and Wondershare Filmora.

There are two methods to add a skin smooth effect with FCPX: By using in-built software settings, or by using plugins like Skin Smoother 2, Color Finale, and Universe. Use Beauty Studio Effect in Adobe Pro to smooth skin and improve facial appearance. Finally, you can beautify the face in your video by adding transitions, making color adjustments, and applying different effects with Wondershare Filmora.

author avatar

Liza Brown

Liza Brown is a writer and a lover of all things video.

Follow @Liza Brown

Liza Brown

Mar 27, 2024• Proven solutions

It’s quite common for vloggers to try to show the best of their states. However, makeup, weather, and the shooting equipment may disagree. So, how to tackle this problem?

skin-smoother

Fortunately, we have the best solutions to fix the skin tone issue by using FCPX’s built-in tools or smooth skin plugins. You will learn how to strategically adjust your footage’s look for stylistic purposes and impress your audience with your video-editing skills. Now, let’s understand what a skin smoother effect is before learning how to add it in FCPX.

Part 1: How to Add a Skin Smoother Effect without Plugins in Final Cut Pro?

Smoothening the skin in Final Cut Pro is very simple. Simply select the video, choose Video effects to be applied, and adjust the percentages from the Inspector pane. You will get wrinkle-free skin with an astonishing look. While multiple plugins are also available to apply a skin smoother effect, you can use the built-in features of Final Cut Pro to smoothen the skin and decrease the amount of contrast.

Here’s how you can do this:

step1Choose the starting image and edit the clip into the timeline. Press Option and make a connected copy of the clip by dragging it up. The start and end points should match for syncing. In the Effects Browser, drag Blur > Gaussian Blur to apply the blur effect on the upper clip.

Skin_Smoother_Effect_1

step2Open the Inspector pan and select Compositing from its bottom. Switch the Blend Mode to Lighten and adjust the Opacity slider as per your desired glow. Usually, 40 to 45% is ideal.

Skin_Smoother_Effect_2

step3Now, go to the top of the Inspector and turn on the blue checkbox next to Gaussian. Adjust the blurring effect until you achieve your desired level of skin softening. It is highly recommended to blur using the horizontal setting to soften the skin while keeping the eyes sharp. Here, the glow is controlled by Opacity while skin softening is controlled by the Blue Amount.

Skin_Smoother_Effect_3

For better results, add a Vignette by selecting and combining the two clips into a Compound Clip. From the Effects Browser, select Stylize > Vignette and adjust drag the vignette. Now, customize the compound clip settings in the Inspector pane until you achieve your desired look. Compare the results between two images before and after editing

Part 2: Where to Find Good Skin Smoother Plugins?

Plugins make it easy for beginners and users with limited expertise to add a skin smoother effect in Final Cut Pro X. You can find both free and paid skin smoother plugins for FCPX online. Given below are some popular skin smoothening plugins for Final Cut Pro X.

  1. Skin Smoother 2

Skin Smoother 2 is a powerful and easy-to-use plugin that allows you to smooth out unwanted skin details and enhance your facial appearance.

Price: $19.99 (One-time Charges)

Software Requirements: FCP 10.2 or later

Features:

  • Enhanced control over facial adjustments with fine-tuning giving more natural results;
  • Precise color sampling without a need to match up with present skin tones; and
  • 3 to 5 times faster rendering.
  1. Color Finale

Color Finale is a user-friendly, fine-tuned, and fully-featured professional skin smoother plugin purpose bit for FCP.

color-finale-2

Price: $152

Software Requirements: FCP 10.4.8 - 10.5.1

Features:

  • Color wheels, curves, and LUT utilities;
  • A complete professional color toolset for videographers, colorists, and editors; and
  • Allows personal preference on the interface.
  1. Universe

A comprehensive FCP tool with 89 individual plugins to apply the next-generation skin smoothening and facial improvement effects.

Price: $199/year

Software Requirements: FCPX 10.5 or later

Features:

  • Advanced transitions and effects and motion graphics tools;
  • A variety of cool presents and text generators; and
  • Number counters, chromatic aberration, VHS looks, camera shake, glitch effects.

Part 3: How to adopt Skin Smoothing Plugins into FCPX?

Follow these steps to use the Skin Smooth 2 Plugin for Final Cut Pro X:

  1. Purchase and download the Skin Smoother 2 plugin. Go to downloads, unzip the folder containing the plugin and install it on your computer.
  2. Open the FCPX, go to Effects, and click on Skin Smoother 2. A list of options will appear. Import the image or video you want to edit.Skin_Smoother_Effect_4
  3. To apply the skin-smoothing effect, click on Add Color Mask, and select the areas of the face where the color mask has to be added.Skin_Smoother_Effect_5
  4. Adjust the Skin Smoothing, Smoothing Mix, and the Softness of the color mask as per your requirements.Skin_Smoother_Effect_6
  5. Finally, click on Add Shape Mask, two circles will appear on the image. Adjust the covering area of both circles for Shape Mask 1 to add a smiling face.Skin_Smoother_Effect_7

Part 4: How to Smooth Skin in Filmora?

Wondershare Filmora features advanced tuning tools and a variety of video filters and overlays. Learn how to smooth skin or beautify your face in the video with this advanced video-editing software.

Download Win Version Download Mac Version

  1. Open Filmora, open New Project and click Import to load your videos to the timeline.
  2. Double click on the video to open the editing window. Open the Color panel and adjust parameters according to your preference such as white balance, tone, and 3D LUT, etc.
  3. Open the toolbar, click the Advanced Color Tuning icon, go to the advanced color tuning window, and adjust the white balance, color tint and temperature, HSL, 3D LUT, Vignette, and Light. If you are a beginner, try applying the present templates.
  4. To set a specific tone or beautify your video, open the Tools tab and click the Color Correction option to change the color tones.
  5. Open Effects and Transitions and select the skin smooth filter. Hover the cursor over the filter and click the plus icon in the middle to add that effect. You can also apply the effect to the whole clip by dragging and dropping it directly onto the video clip.

Part 5: How to smooth skin in Adobe Pro?

Given below are simple steps to create a face matter, control the skin smoothing, adjust color correction, and correct the skin glow in Adobe Pro by using the Beauty Studio Effect:

  1. Applying the Beauty Studio effect smoothens all parts of the image including the background. However, it will make your footage look artificial, which is not desired. Hence, turn on the Pixel Chooser, pick two colors with the eye dropper tool. Color A for the darker area and Color B for the lighter area.
  2. Underneath the Mocha Matte, use the eyedropper tool to select colors on the skin of the subject in your footage.
  3. Now, click on View Matte/Mask to visualize the image areas where you are applying the skin smoothing effect. The Beauty Studio will affect the smoothing effect in the white area while the black area will remain unsmoothed.
  4. Adjust the Saturation, Hue, and Luma softness to enhance the appearance of the skin, eyes, and mouth.
  5. To prevent the rest of the image from getting affected, create a Mocha mask around the face by clicking on the Mocha logo and drawing a mask with the X-Spline tool. Make sure the mask moves as the subject is moved after your track forward and back.
  6. Beauty Studio offers four levels of skin smoothing. You can adjust these levels as per your situation by lowering the smoothing amount for each level. For better results, adjust the levels at 70 or below.
  7. For the final touch, adjust the sharpening between 10-20 points, add saturation between 3 to 8 points for color correction, and add 5 to 10 points of glow. Your image is ready, compare the results before and after applying the effect.

Conclusion

Smooth skin with clear facial expressions attracts everyone. You can apply a skin smooth effect in your video by using advanced video editing tools like Final Cut Pro, Adobe Premium, and Wondershare Filmora.

There are two methods to add a skin smooth effect with FCPX: By using in-built software settings, or by using plugins like Skin Smoother 2, Color Finale, and Universe. Use Beauty Studio Effect in Adobe Pro to smooth skin and improve facial appearance. Finally, you can beautify the face in your video by adding transitions, making color adjustments, and applying different effects with Wondershare Filmora.

author avatar

Liza Brown

Liza Brown is a writer and a lover of all things video.

Follow @Liza Brown

Setting Up Your Dream Machine for Premiere Pro: A Beginner’s Guide

System Requirements for Running Premiere Pro: How to Set Up Computer

author avatar

Benjamin Arango

Mar 27, 2024• Proven solutions

We all know that Adobe Premiere Pro is one of the best professional video editing software, while to run such a powerful video editing software, you may need a powerful windows PC or Mac as well. Though most modern computer systems can run Adobe Premiere out of the box, there are some steps to take, and potential decisions to make, before installing the software, or if you are building or buying a new computer to make sure you get the best experience possible with the software.

You may also like:Best Adobe Premiere Alternatives >>


Minimum system requirement to run Premiere Pro on Windows and Mac in 2019

Your computer should at least to meet the minimum specification below to run Premiere Pro, and if you need to edit some VR videos, your computer configuration should be higher according to the minimum specifications list on their website .

  • Intel 6th or newer CPU
  • Windows 10 (64-bit) 1703 or later/ MacOS V10.12 later
  • 16GB RAM; 4GB GPU VRAM
  • Fast internal SSD
  • 1920*1080 Display resolution
  • 32-bit video card
  • Internet connection

However, it is important to remember this is the minimum specification, and will not necessarily give a satisfactory user experience. The recommended specifications are far more likely to provide the kind of performance expected of the software and those would be the ones to use as a guide for the minimum spec for a new computer or any upgrades being planned prior to installation.


How to check Computer Specifications

Since Premiere Pro CC only works on Windows 10 system after 2018 13.0 release, we will show you how to check if your PC meets the requirements to run Premiere Pro on Windows 10

  • Press Windows Key+ E on the keyboard to bring up Windows Explorer.
  • Right click the This PC option in the sidebar and then select Properties from the context menu.

check PC system

  • The system specification window will show up which you see the Processor, RAM, system type and other system information.

Checking the specification on your Mac is easy, just click the Apple icon in the top-left corner of your Mac, and then select About This Mac option. In the pop-up window you will see the information including Processor speed, memory and graphic card etc.


How to Set Up Computer for Premiere

1. Processor

Whilst the software will run on a Core2Duo intel or Phenom II AMD processor, it is worth noting that rendering can be highly intensive work for the processor and the fastest possible processor within your budget will pay dividends in speed of editing. In general, even a Core I3, the cheapest of the current Intel range, will be significantly faster than older processors, but because Premiere happily uses multi cored processors to their full, if the budget can reach to a quad core or more processor then do so, Premiere is a piece of software that benefits from the computational power increase more than most.

2. Memory

The next consideration is memory. The minimum specification suggests 4GB of RAM with 8GB recommended, for reliable and smooth running consider 8GB minimum, and go for as much as you can. For a computer that is used for other activities as well, multitasking can see even 24GB of Ram being fully utilized, especially if you are working on HD content. Speaking of content, this is the other aspect of memory to look at. Whilst you can use a storage drive that contains everything else on your computer to keep the media you are working on, for HD content especially, and for trouble free and the fastest possible operation it is advisable to reserve a single drive, preferably a 7200 RPM or faster one, exclusively for your media. Bandwidth and access times means Premiere will be significantly faster in operation with its media on a dedicated drive.

3. Graphic

The final aspect of specification to consider is graphics. Adobe Premiere uses a feature called the Mercury Playback Engine that allows much faster and smoother playback of video without rendering, it has two modes, software only and GPU acceleration mode (Using either CUDA or OpenCL). The GPU acceleration mode offers significant performance increases and is therefore highly desirable. However, not all GPU’s are compatible with the Mercury Playback Engine, the list of those that are is found on the previously linked specification page, so if a new computer is being built or purchased, or upgrades are being considered prior to install, it is highly desirable to utilize a compatible GPU where possible.

5. Settings

Having covered the basic specifications of a computer that will enhance the operation of Premiere, it is now time to look at the computer settings and how this can affect Premiere’s performance and usability.

The first thing to understand is that video editing, especially HD video, is bandwidth intensive, in effect, it fills up the lanes between the CPU, RAM, GPU and Hard Drive during operation. Spreading the use of that bandwidth over several devices can see huge performance gains, so one of the best ways to optimize the computer for Premier is to adjust how the hard drives are used. How effective this can be depends on the computer you are using, so we will try to cover a few different possibilities here.

6. Drive

If your computer contains a single drive, simply install Premiere and start using it, there are no options available here. If there are two drives, keep one for the operating system, programs and cache files. Use the second drive exclusively for video project files, exported projects and previews.

If the computer has three drives then keep one for the operating system and programs, the second one for the video project files, and use the third for previews, cache files and exported projects.

If you have access to even more drives, then split the cache from the previews, and ultimately have one drive each for previews, exports and cache. Spreading the files across as many drives as possible enhances performance by enabling the different read/write operations to occur without interference from each other.

That is the theory, but how do you achieve this? This is done within Premiere itself, there are two parts, accessing where the media cache files are placed is done though the edit menu, following the path edit > preferences > media.

adobe premiere requirements

Changing where the project files, previews and exports are stored is just as easy, and is accessed via the project menu by taking the path project > project settings > scratchdisks.

adobe premiere requirements

7. Sequence Setting

When working with Premiere it is important to have the correct settings for the type of media you are using and the nature of the final output. This is done within Premiere by a function known as a Sequence.

After creating a new project you are presented with the sequence dialogue box. You can have as many sequences in a single project as you like, but Premiere always assumes you require at least one and so needs the first one to be created to allow work on a project. Any media, both audio and video, placed into a sequence is automatically adapted to the settings of that sequence, so you will want to choose settings that match the original media as closely as possible. Each sequence in a project can have different settings if required, as this lessens the workload on the CPU and makes the process faster and smoother.

The sequence dialogue has three tabs, Sequence Presets, Settings and Tracks

The Preset Tab makes setting up a new sequence much simpler. Choosing a preset enables Premiere to choose the settings that best match the chosen video and audio format. There are a wide range of presets available to suit the most commonly used media types, they are organized based on camera formats. Within each group there are numerous settings and configurations to choose from based around frame sizes and interlacing. Whilst choosing the correct preset can be a little daunting to the uninitiated, ensuring the number of frames per second, the frame size and codec are correct is all that is required.

adobe premiere requirements

Once the preset is chosen you can move to the settings tab to adjust the preset manually. Some settings will not be adjustable in this tab due to the specific optimization required for the input media.

Because the presets do such a good job it is not really necessary to adjust anything in the settings tab, and unless you are trying to do something very specific.

While the standard presets are usually suitable, on occasion you may desire a custom setting. To do this, choose a sequence preset that is close to your media, and then make custom selections in the Settings tab. By selecting the Save Preset option on the Settings tab you can then create a custom setting with those parameters. Give the preset a suitable name in the Save Settings dialog and add any notes that are needed. The preset can be found in the Custom folder under Available Presets.

Those with the Apple Prores Codec on their computers can use this as the preview codec if required. By choosing Quicktime as the preview format in a custom editing mode, and lastly Apple Prores as the required codec.

Conclusion

If your computer failed to meet the requirement to run Premiere Pro, you may need to spend some money to buy a powerful computer or choose another professional video editing software similar to Premiere Pro, or choose a video editing software. If your computer isn’t powerful enough to run Premiere Pro, you will get awful experience at editing footage because of the long loading time and stuck playback.

author avatar

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Benjamin Arango

Mar 27, 2024• Proven solutions

We all know that Adobe Premiere Pro is one of the best professional video editing software, while to run such a powerful video editing software, you may need a powerful windows PC or Mac as well. Though most modern computer systems can run Adobe Premiere out of the box, there are some steps to take, and potential decisions to make, before installing the software, or if you are building or buying a new computer to make sure you get the best experience possible with the software.

You may also like:Best Adobe Premiere Alternatives >>


Minimum system requirement to run Premiere Pro on Windows and Mac in 2019

Your computer should at least to meet the minimum specification below to run Premiere Pro, and if you need to edit some VR videos, your computer configuration should be higher according to the minimum specifications list on their website .

  • Intel 6th or newer CPU
  • Windows 10 (64-bit) 1703 or later/ MacOS V10.12 later
  • 16GB RAM; 4GB GPU VRAM
  • Fast internal SSD
  • 1920*1080 Display resolution
  • 32-bit video card
  • Internet connection

However, it is important to remember this is the minimum specification, and will not necessarily give a satisfactory user experience. The recommended specifications are far more likely to provide the kind of performance expected of the software and those would be the ones to use as a guide for the minimum spec for a new computer or any upgrades being planned prior to installation.


How to check Computer Specifications

Since Premiere Pro CC only works on Windows 10 system after 2018 13.0 release, we will show you how to check if your PC meets the requirements to run Premiere Pro on Windows 10

  • Press Windows Key+ E on the keyboard to bring up Windows Explorer.
  • Right click the This PC option in the sidebar and then select Properties from the context menu.

check PC system

  • The system specification window will show up which you see the Processor, RAM, system type and other system information.

Checking the specification on your Mac is easy, just click the Apple icon in the top-left corner of your Mac, and then select About This Mac option. In the pop-up window you will see the information including Processor speed, memory and graphic card etc.


How to Set Up Computer for Premiere

1. Processor

Whilst the software will run on a Core2Duo intel or Phenom II AMD processor, it is worth noting that rendering can be highly intensive work for the processor and the fastest possible processor within your budget will pay dividends in speed of editing. In general, even a Core I3, the cheapest of the current Intel range, will be significantly faster than older processors, but because Premiere happily uses multi cored processors to their full, if the budget can reach to a quad core or more processor then do so, Premiere is a piece of software that benefits from the computational power increase more than most.

2. Memory

The next consideration is memory. The minimum specification suggests 4GB of RAM with 8GB recommended, for reliable and smooth running consider 8GB minimum, and go for as much as you can. For a computer that is used for other activities as well, multitasking can see even 24GB of Ram being fully utilized, especially if you are working on HD content. Speaking of content, this is the other aspect of memory to look at. Whilst you can use a storage drive that contains everything else on your computer to keep the media you are working on, for HD content especially, and for trouble free and the fastest possible operation it is advisable to reserve a single drive, preferably a 7200 RPM or faster one, exclusively for your media. Bandwidth and access times means Premiere will be significantly faster in operation with its media on a dedicated drive.

3. Graphic

The final aspect of specification to consider is graphics. Adobe Premiere uses a feature called the Mercury Playback Engine that allows much faster and smoother playback of video without rendering, it has two modes, software only and GPU acceleration mode (Using either CUDA or OpenCL). The GPU acceleration mode offers significant performance increases and is therefore highly desirable. However, not all GPU’s are compatible with the Mercury Playback Engine, the list of those that are is found on the previously linked specification page, so if a new computer is being built or purchased, or upgrades are being considered prior to install, it is highly desirable to utilize a compatible GPU where possible.

5. Settings

Having covered the basic specifications of a computer that will enhance the operation of Premiere, it is now time to look at the computer settings and how this can affect Premiere’s performance and usability.

The first thing to understand is that video editing, especially HD video, is bandwidth intensive, in effect, it fills up the lanes between the CPU, RAM, GPU and Hard Drive during operation. Spreading the use of that bandwidth over several devices can see huge performance gains, so one of the best ways to optimize the computer for Premier is to adjust how the hard drives are used. How effective this can be depends on the computer you are using, so we will try to cover a few different possibilities here.

6. Drive

If your computer contains a single drive, simply install Premiere and start using it, there are no options available here. If there are two drives, keep one for the operating system, programs and cache files. Use the second drive exclusively for video project files, exported projects and previews.

If the computer has three drives then keep one for the operating system and programs, the second one for the video project files, and use the third for previews, cache files and exported projects.

If you have access to even more drives, then split the cache from the previews, and ultimately have one drive each for previews, exports and cache. Spreading the files across as many drives as possible enhances performance by enabling the different read/write operations to occur without interference from each other.

That is the theory, but how do you achieve this? This is done within Premiere itself, there are two parts, accessing where the media cache files are placed is done though the edit menu, following the path edit > preferences > media.

adobe premiere requirements

Changing where the project files, previews and exports are stored is just as easy, and is accessed via the project menu by taking the path project > project settings > scratchdisks.

adobe premiere requirements

7. Sequence Setting

When working with Premiere it is important to have the correct settings for the type of media you are using and the nature of the final output. This is done within Premiere by a function known as a Sequence.

After creating a new project you are presented with the sequence dialogue box. You can have as many sequences in a single project as you like, but Premiere always assumes you require at least one and so needs the first one to be created to allow work on a project. Any media, both audio and video, placed into a sequence is automatically adapted to the settings of that sequence, so you will want to choose settings that match the original media as closely as possible. Each sequence in a project can have different settings if required, as this lessens the workload on the CPU and makes the process faster and smoother.

The sequence dialogue has three tabs, Sequence Presets, Settings and Tracks

The Preset Tab makes setting up a new sequence much simpler. Choosing a preset enables Premiere to choose the settings that best match the chosen video and audio format. There are a wide range of presets available to suit the most commonly used media types, they are organized based on camera formats. Within each group there are numerous settings and configurations to choose from based around frame sizes and interlacing. Whilst choosing the correct preset can be a little daunting to the uninitiated, ensuring the number of frames per second, the frame size and codec are correct is all that is required.

adobe premiere requirements

Once the preset is chosen you can move to the settings tab to adjust the preset manually. Some settings will not be adjustable in this tab due to the specific optimization required for the input media.

Because the presets do such a good job it is not really necessary to adjust anything in the settings tab, and unless you are trying to do something very specific.

While the standard presets are usually suitable, on occasion you may desire a custom setting. To do this, choose a sequence preset that is close to your media, and then make custom selections in the Settings tab. By selecting the Save Preset option on the Settings tab you can then create a custom setting with those parameters. Give the preset a suitable name in the Save Settings dialog and add any notes that are needed. The preset can be found in the Custom folder under Available Presets.

Those with the Apple Prores Codec on their computers can use this as the preview codec if required. By choosing Quicktime as the preview format in a custom editing mode, and lastly Apple Prores as the required codec.

Conclusion

If your computer failed to meet the requirement to run Premiere Pro, you may need to spend some money to buy a powerful computer or choose another professional video editing software similar to Premiere Pro, or choose a video editing software. If your computer isn’t powerful enough to run Premiere Pro, you will get awful experience at editing footage because of the long loading time and stuck playback.

author avatar

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Benjamin Arango

Mar 27, 2024• Proven solutions

We all know that Adobe Premiere Pro is one of the best professional video editing software, while to run such a powerful video editing software, you may need a powerful windows PC or Mac as well. Though most modern computer systems can run Adobe Premiere out of the box, there are some steps to take, and potential decisions to make, before installing the software, or if you are building or buying a new computer to make sure you get the best experience possible with the software.

You may also like:Best Adobe Premiere Alternatives >>


Minimum system requirement to run Premiere Pro on Windows and Mac in 2019

Your computer should at least to meet the minimum specification below to run Premiere Pro, and if you need to edit some VR videos, your computer configuration should be higher according to the minimum specifications list on their website .

  • Intel 6th or newer CPU
  • Windows 10 (64-bit) 1703 or later/ MacOS V10.12 later
  • 16GB RAM; 4GB GPU VRAM
  • Fast internal SSD
  • 1920*1080 Display resolution
  • 32-bit video card
  • Internet connection

However, it is important to remember this is the minimum specification, and will not necessarily give a satisfactory user experience. The recommended specifications are far more likely to provide the kind of performance expected of the software and those would be the ones to use as a guide for the minimum spec for a new computer or any upgrades being planned prior to installation.


How to check Computer Specifications

Since Premiere Pro CC only works on Windows 10 system after 2018 13.0 release, we will show you how to check if your PC meets the requirements to run Premiere Pro on Windows 10

  • Press Windows Key+ E on the keyboard to bring up Windows Explorer.
  • Right click the This PC option in the sidebar and then select Properties from the context menu.

check PC system

  • The system specification window will show up which you see the Processor, RAM, system type and other system information.

Checking the specification on your Mac is easy, just click the Apple icon in the top-left corner of your Mac, and then select About This Mac option. In the pop-up window you will see the information including Processor speed, memory and graphic card etc.


How to Set Up Computer for Premiere

1. Processor

Whilst the software will run on a Core2Duo intel or Phenom II AMD processor, it is worth noting that rendering can be highly intensive work for the processor and the fastest possible processor within your budget will pay dividends in speed of editing. In general, even a Core I3, the cheapest of the current Intel range, will be significantly faster than older processors, but because Premiere happily uses multi cored processors to their full, if the budget can reach to a quad core or more processor then do so, Premiere is a piece of software that benefits from the computational power increase more than most.

2. Memory

The next consideration is memory. The minimum specification suggests 4GB of RAM with 8GB recommended, for reliable and smooth running consider 8GB minimum, and go for as much as you can. For a computer that is used for other activities as well, multitasking can see even 24GB of Ram being fully utilized, especially if you are working on HD content. Speaking of content, this is the other aspect of memory to look at. Whilst you can use a storage drive that contains everything else on your computer to keep the media you are working on, for HD content especially, and for trouble free and the fastest possible operation it is advisable to reserve a single drive, preferably a 7200 RPM or faster one, exclusively for your media. Bandwidth and access times means Premiere will be significantly faster in operation with its media on a dedicated drive.

3. Graphic

The final aspect of specification to consider is graphics. Adobe Premiere uses a feature called the Mercury Playback Engine that allows much faster and smoother playback of video without rendering, it has two modes, software only and GPU acceleration mode (Using either CUDA or OpenCL). The GPU acceleration mode offers significant performance increases and is therefore highly desirable. However, not all GPU’s are compatible with the Mercury Playback Engine, the list of those that are is found on the previously linked specification page, so if a new computer is being built or purchased, or upgrades are being considered prior to install, it is highly desirable to utilize a compatible GPU where possible.

5. Settings

Having covered the basic specifications of a computer that will enhance the operation of Premiere, it is now time to look at the computer settings and how this can affect Premiere’s performance and usability.

The first thing to understand is that video editing, especially HD video, is bandwidth intensive, in effect, it fills up the lanes between the CPU, RAM, GPU and Hard Drive during operation. Spreading the use of that bandwidth over several devices can see huge performance gains, so one of the best ways to optimize the computer for Premier is to adjust how the hard drives are used. How effective this can be depends on the computer you are using, so we will try to cover a few different possibilities here.

6. Drive

If your computer contains a single drive, simply install Premiere and start using it, there are no options available here. If there are two drives, keep one for the operating system, programs and cache files. Use the second drive exclusively for video project files, exported projects and previews.

If the computer has three drives then keep one for the operating system and programs, the second one for the video project files, and use the third for previews, cache files and exported projects.

If you have access to even more drives, then split the cache from the previews, and ultimately have one drive each for previews, exports and cache. Spreading the files across as many drives as possible enhances performance by enabling the different read/write operations to occur without interference from each other.

That is the theory, but how do you achieve this? This is done within Premiere itself, there are two parts, accessing where the media cache files are placed is done though the edit menu, following the path edit > preferences > media.

adobe premiere requirements

Changing where the project files, previews and exports are stored is just as easy, and is accessed via the project menu by taking the path project > project settings > scratchdisks.

adobe premiere requirements

7. Sequence Setting

When working with Premiere it is important to have the correct settings for the type of media you are using and the nature of the final output. This is done within Premiere by a function known as a Sequence.

After creating a new project you are presented with the sequence dialogue box. You can have as many sequences in a single project as you like, but Premiere always assumes you require at least one and so needs the first one to be created to allow work on a project. Any media, both audio and video, placed into a sequence is automatically adapted to the settings of that sequence, so you will want to choose settings that match the original media as closely as possible. Each sequence in a project can have different settings if required, as this lessens the workload on the CPU and makes the process faster and smoother.

The sequence dialogue has three tabs, Sequence Presets, Settings and Tracks

The Preset Tab makes setting up a new sequence much simpler. Choosing a preset enables Premiere to choose the settings that best match the chosen video and audio format. There are a wide range of presets available to suit the most commonly used media types, they are organized based on camera formats. Within each group there are numerous settings and configurations to choose from based around frame sizes and interlacing. Whilst choosing the correct preset can be a little daunting to the uninitiated, ensuring the number of frames per second, the frame size and codec are correct is all that is required.

adobe premiere requirements

Once the preset is chosen you can move to the settings tab to adjust the preset manually. Some settings will not be adjustable in this tab due to the specific optimization required for the input media.

Because the presets do such a good job it is not really necessary to adjust anything in the settings tab, and unless you are trying to do something very specific.

While the standard presets are usually suitable, on occasion you may desire a custom setting. To do this, choose a sequence preset that is close to your media, and then make custom selections in the Settings tab. By selecting the Save Preset option on the Settings tab you can then create a custom setting with those parameters. Give the preset a suitable name in the Save Settings dialog and add any notes that are needed. The preset can be found in the Custom folder under Available Presets.

Those with the Apple Prores Codec on their computers can use this as the preview codec if required. By choosing Quicktime as the preview format in a custom editing mode, and lastly Apple Prores as the required codec.

Conclusion

If your computer failed to meet the requirement to run Premiere Pro, you may need to spend some money to buy a powerful computer or choose another professional video editing software similar to Premiere Pro, or choose a video editing software. If your computer isn’t powerful enough to run Premiere Pro, you will get awful experience at editing footage because of the long loading time and stuck playback.

author avatar

Benjamin Arango

Benjamin Arango is a writer and a lover of all things video.

Follow @Benjamin Arango

Benjamin Arango

Mar 27, 2024• Proven solutions

We all know that Adobe Premiere Pro is one of the best professional video editing software, while to run such a powerful video editing software, you may need a powerful windows PC or Mac as well. Though most modern computer systems can run Adobe Premiere out of the box, there are some steps to take, and potential decisions to make, before installing the software, or if you are building or buying a new computer to make sure you get the best experience possible with the software.

You may also like:Best Adobe Premiere Alternatives >>


Minimum system requirement to run Premiere Pro on Windows and Mac in 2019

Your computer should at least to meet the minimum specification below to run Premiere Pro, and if you need to edit some VR videos, your computer configuration should be higher according to the minimum specifications list on their website .

  • Intel 6th or newer CPU
  • Windows 10 (64-bit) 1703 or later/ MacOS V10.12 later
  • 16GB RAM; 4GB GPU VRAM
  • Fast internal SSD
  • 1920*1080 Display resolution
  • 32-bit video card
  • Internet connection

However, it is important to remember this is the minimum specification, and will not necessarily give a satisfactory user experience. The recommended specifications are far more likely to provide the kind of performance expected of the software and those would be the ones to use as a guide for the minimum spec for a new computer or any upgrades being planned prior to installation.


How to check Computer Specifications

Since Premiere Pro CC only works on Windows 10 system after 2018 13.0 release, we will show you how to check if your PC meets the requirements to run Premiere Pro on Windows 10

  • Press Windows Key+ E on the keyboard to bring up Windows Explorer.
  • Right click the This PC option in the sidebar and then select Properties from the context menu.

check PC system

  • The system specification window will show up which you see the Processor, RAM, system type and other system information.

Checking the specification on your Mac is easy, just click the Apple icon in the top-left corner of your Mac, and then select About This Mac option. In the pop-up window you will see the information including Processor speed, memory and graphic card etc.


How to Set Up Computer for Premiere

1. Processor

Whilst the software will run on a Core2Duo intel or Phenom II AMD processor, it is worth noting that rendering can be highly intensive work for the processor and the fastest possible processor within your budget will pay dividends in speed of editing. In general, even a Core I3, the cheapest of the current Intel range, will be significantly faster than older processors, but because Premiere happily uses multi cored processors to their full, if the budget can reach to a quad core or more processor then do so, Premiere is a piece of software that benefits from the computational power increase more than most.

2. Memory

The next consideration is memory. The minimum specification suggests 4GB of RAM with 8GB recommended, for reliable and smooth running consider 8GB minimum, and go for as much as you can. For a computer that is used for other activities as well, multitasking can see even 24GB of Ram being fully utilized, especially if you are working on HD content. Speaking of content, this is the other aspect of memory to look at. Whilst you can use a storage drive that contains everything else on your computer to keep the media you are working on, for HD content especially, and for trouble free and the fastest possible operation it is advisable to reserve a single drive, preferably a 7200 RPM or faster one, exclusively for your media. Bandwidth and access times means Premiere will be significantly faster in operation with its media on a dedicated drive.

3. Graphic

The final aspect of specification to consider is graphics. Adobe Premiere uses a feature called the Mercury Playback Engine that allows much faster and smoother playback of video without rendering, it has two modes, software only and GPU acceleration mode (Using either CUDA or OpenCL). The GPU acceleration mode offers significant performance increases and is therefore highly desirable. However, not all GPU’s are compatible with the Mercury Playback Engine, the list of those that are is found on the previously linked specification page, so if a new computer is being built or purchased, or upgrades are being considered prior to install, it is highly desirable to utilize a compatible GPU where possible.

5. Settings

Having covered the basic specifications of a computer that will enhance the operation of Premiere, it is now time to look at the computer settings and how this can affect Premiere’s performance and usability.

The first thing to understand is that video editing, especially HD video, is bandwidth intensive, in effect, it fills up the lanes between the CPU, RAM, GPU and Hard Drive during operation. Spreading the use of that bandwidth over several devices can see huge performance gains, so one of the best ways to optimize the computer for Premier is to adjust how the hard drives are used. How effective this can be depends on the computer you are using, so we will try to cover a few different possibilities here.

6. Drive

If your computer contains a single drive, simply install Premiere and start using it, there are no options available here. If there are two drives, keep one for the operating system, programs and cache files. Use the second drive exclusively for video project files, exported projects and previews.

If the computer has three drives then keep one for the operating system and programs, the second one for the video project files, and use the third for previews, cache files and exported projects.

If you have access to even more drives, then split the cache from the previews, and ultimately have one drive each for previews, exports and cache. Spreading the files across as many drives as possible enhances performance by enabling the different read/write operations to occur without interference from each other.

That is the theory, but how do you achieve this? This is done within Premiere itself, there are two parts, accessing where the media cache files are placed is done though the edit menu, following the path edit > preferences > media.

adobe premiere requirements

Changing where the project files, previews and exports are stored is just as easy, and is accessed via the project menu by taking the path project > project settings > scratchdisks.

adobe premiere requirements

7. Sequence Setting

When working with Premiere it is important to have the correct settings for the type of media you are using and the nature of the final output. This is done within Premiere by a function known as a Sequence.

After creating a new project you are presented with the sequence dialogue box. You can have as many sequences in a single project as you like, but Premiere always assumes you require at least one and so needs the first one to be created to allow work on a project. Any media, both audio and video, placed into a sequence is automatically adapted to the settings of that sequence, so you will want to choose settings that match the original media as closely as possible. Each sequence in a project can have different settings if required, as this lessens the workload on the CPU and makes the process faster and smoother.

The sequence dialogue has three tabs, Sequence Presets, Settings and Tracks

The Preset Tab makes setting up a new sequence much simpler. Choosing a preset enables Premiere to choose the settings that best match the chosen video and audio format. There are a wide range of presets available to suit the most commonly used media types, they are organized based on camera formats. Within each group there are numerous settings and configurations to choose from based around frame sizes and interlacing. Whilst choosing the correct preset can be a little daunting to the uninitiated, ensuring the number of frames per second, the frame size and codec are correct is all that is required.

adobe premiere requirements

Once the preset is chosen you can move to the settings tab to adjust the preset manually. Some settings will not be adjustable in this tab due to the specific optimization required for the input media.

Because the presets do such a good job it is not really necessary to adjust anything in the settings tab, and unless you are trying to do something very specific.

While the standard presets are usually suitable, on occasion you may desire a custom setting. To do this, choose a sequence preset that is close to your media, and then make custom selections in the Settings tab. By selecting the Save Preset option on the Settings tab you can then create a custom setting with those parameters. Give the preset a suitable name in the Save Settings dialog and add any notes that are needed. The preset can be found in the Custom folder under Available Presets.

Those with the Apple Prores Codec on their computers can use this as the preview codec if required. By choosing Quicktime as the preview format in a custom editing mode, and lastly Apple Prores as the required codec.

Conclusion

If your computer failed to meet the requirement to run Premiere Pro, you may need to spend some money to buy a powerful computer or choose another professional video editing software similar to Premiere Pro, or choose a video editing software. If your computer isn’t powerful enough to run Premiere Pro, you will get awful experience at editing footage because of the long loading time and stuck playback.

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Benjamin Arango

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Also read:

  • Title: Understanding Pixel Dimensions Ratio Calculation Techniques
  • Author: Charlotte
  • Created at : 2024-05-19 10:31:47
  • Updated at : 2024-05-20 10:31:47
  • Link: https://smart-video-creator.techidaily.com/understanding-pixel-dimensions-ratio-calculation-techniques/
  • License: This work is licensed under CC BY-NC-SA 4.0.
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Understanding Pixel Dimensions Ratio Calculation Techniques